My Name is Legion

Beelzebub has been wandering through western civilization since the Philistines appeared on the scene in the 12th century BC. The polytheistic Philistines of Ekron, one of their five cities within Canaan, worshiped Beelzebub, Baal-Zebub in the Philistine language, as a minor god of healing and protection from diseases, mainly from flies. In the semitic languages Beelzebub was literally known as the “Lord of the Flies”. (In Indo-European languages some interpretations suggest that Beelzebub is translated into a more friendly Lord of the Jungle.)

As monotheistic traditions took root in Canaan, Beelzebub shifted from a protective deity to a purveyor of evil, demonized within emerging Jewish thought. By the 9th century BC, the prophet Elijah condemned the Israel King Ahab and the prophets of Baal for worshiping this god rather than the true God of the Jews. By the time of the New Testament, which mentioned him 7 times in Matthew, Mark, and Luke, he was associated with Satan, who represented the emperor of Hell.

In Matthew and Mark, the Pharisees accused Jesus of casting out demons by the power of Beelzebub or the “Prince of the Demons”. Jesus counters by exclaiming that “Every kingdom divided against itself is brought to desolation, and every city or house divided against itself will not stand.” Jesus’ response backed the Pharisees into a corner, if they admitted that Jesus was casting out demons by God’s power, then they would have to acknowledge his divine authority. But if they insisted, he was working with Satan, they would have to explain why Satan would undermine his own influence: a house divided will not stand. (Lincoln in an 1858 speech used the same words with a moral rather than religious meaning, granted that is a very fine line, “A house divided against itself cannot stand,” suggesting that the evils of slavery would lead to collapse of the country.)

Between the 15th and 17th centuries Beelzebub was transformed into one of the seven princes of Hell: Lucifer the Emperor, Satan, Leviathan, Belphegor, Mammon, Asmodeus, and Beelzebub. Beelzebub represented the deadly sins of gluttony and envy.

In modern times Beelzebub remains a symbol of evil in literature and culture. John Milton’s Paradise Lost cast him as a chief demon and William Golding’s Lord of the Flies takes a more ancient meaning associated with corruption and destruction.

From an ancient minor Philistine god to Satan during the times of Jesus, to a major Christian demon in medieval times, back to Satan himself in modern times; Beelzebub’s transformation reflects the shifting religious and cultural landscapes over millennia, but demons will always have a name. In Mark 5:9, Jesus asks a possessed man, “What is your name?” The demon responds, “My name is Legion, for we are many.”

Graphic: Satan and Beelzebub by William Hayley, Jean Pierre Simon, Richard Westall: Paradise Lost. Public Domain.

Frankenstein, or The Modern Prometheus

It was the year without summer. During the year 1816, temperatures in Europe were the coldest of any recorded between 1766 and 2000. Across the pond in New England frost occurred every month of the year and six inches of snow fell in June. Crops failed, food was scarce, and people died unpleasantly premature.

There was no summer that year because in 1815 the Indonesian volcano, Mount Tambora, had a fit and blew its top, more or less straight up into the stratosphere. The amount of material injected into the upper atmosphere blocked the sunlight and caused global cooling.

Meanwhile, not to let bad weather forestall important matters, Lord Bryon while vacationing in Geneva, challenged his two companions, Percy Shelly, and Mary Godwin, the soon to be Mary Shelly, to a contest of who could write the best ghost story. Lord Bryon and Percy soon abandoned the project, but Mary persevered and published her Frankenstein two years later, giving birth to the monster with no name, countless movies, myths, legends, and frightful nights for children everywhere.

In the tenth chapter of her epistolary novel, Frankenstein, or The Modern Prometheus, we finally meet her fictional monster to learn not only that it lives, but it also speaks grammatically correct King’s English. Shelly cast her monster as Lucifer from the pages of Milton’s Paradise Lost. The monster, addressing its creator, Victor Frankenstein, speaks of profound loneliness, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.”

In the end the monster wishes to die but the author leaves those matters in the reader’s hands.

Sources Frankenstein by Mary Shelly. First published in 1818. The 100 Greatest Literary Characters by Plath et al, published 2019. Cover from a 2012 edition of Frankenstein shown below.