Solution in Search of a Problem

…[God] commanded him, saying: Of every tree of paradise thou shalt eat:  But of the tree of knowledge of good and evil, thou shalt not eat. For in what day soever thou shalt eat of it, thou shalt die the death. Genesis 2: 16-17.  …And the woman saw that the tree was good to eat, and fair to the eyes, and delightful to behold: and she took of the fruit thereof, and did eat, and gave to her husband who did eat. Genesis 3: 6.  …And to Adam he said: Because thou hast hearkened to the voice of thy wife, and hast eaten of the tree, whereof I commanded thee that thou shouldst not eat, cursed is the earth in thy work; with labor and toil shalt thou eat thereof all the days of thy life. Genesis 3: 17.

The command. The Original Sin. The yoke of punishment.

Within the Christian narrative, the Garden of Eden; whether read as fact or parable, is not a catastrophe that condemns humanity but a pedagogical interval in which freedom, purpose, and morality first become visible. Eden is the place where God teaches that a being with a soul cannot thrive in effortless abundance; that freedom requires choice; that purpose emerges only through effort–trial and error, consequence, responsibility, and growth. Original Sin is not an accident but the awakening of the human soul, the moment the lesson begins.

Against this backdrop, William Dembski’s (1960-present) The End of Christianity advances a far more far‑reaching claim: that God imposed suffering and death across the entire 4.5‑billion‑year history of Earth in response to Adam’s sin; an event that, even on the most generous timelines, occurred only a few tens of thousands of years ago. The difficulty with this theory is not merely its scale but its direction. Within the Christian understanding of God’s eternal now, Eden is not an isolated moment but a teaching environment whose possibilities: temptation, failure, growth, are already present to the divine mind. Dembski’s proposal, however, requires suffering to be imposed on the epochs that precede the sin itself. Adam has no predecessors whose guilt could be inherited, and the only antecedent in the narrative is God Himself. This reversal of moral sequence renders the thesis difficult to sustain.

His theodicy survives only at the level of abstraction; once the brush narrows to a single creature or a single moment, the logic collapses. A brontosaurus sinking into Jurassic mud is not a moral agent, nor is a trilobite crushed in a Cambrian landslide. To treat their deaths as the retroactive consequence of a human sin that has not yet occurred is to impose moral causality where no moral subject exists. The moment the argument touches the concrete world: an ecosystem, a predator’s hunger, a tectonic shift, it demands that nature behave like a courtroom, assigning guilt and punishment across epochs that cannot bear such categories.

Nor does the appeal to the serpent resolve the difficulty. To identify the serpent as the origin of evil is to mistake a narrative instrument for a metaphysical explanation. The question is not who tempted Adam, but how the possibility of temptation exists at all within a creation held in the eternal knowledge of God. If evil can arise only through the serpent’s intrusion or Adam’s misstep, then the divine eternity becomes strangely porous, as though God were surprised by a contingency He did not foresee. A coherent theodicy must account for the possibility of evil within the very structure of creation; reducing it to a reptile or a human choice leaves the deeper metaphysical question untouched.

Additionally, he treats death itself as a sin and the result of sin, redefining a creaturely condition as a moral indictment and thereby forcing all pre‑human death into the ledger of Adam’s guilt. Once these premises are set, the argument can proceed only by inverting causality, collapsing divine eternity into creaturely time, and assigning retroactive guilt to a world that existed long before humanity appeared.

A further difficulty remains unaddressed. If God is placed within a temporal sequence, as Dembski’s model requires, then any retroactive application of punishment collapses into divine causation. A temporal God cannot reach backward in time without becoming the direct agent of the suffering He imposes. If Adam’s sin occurs after millions of years of natural history, then all pre‑human suffering occurs before the sin; and if that suffering is nevertheless treated as punishment for Adam, the only possible source of it is God Himself. The attempt to preserve a literal reading of Genesis thus forces the blame for natural evil onto the Creator, a conclusion Dembski never acknowledges and cannot escape.

As the argument unfolds, the incoherence deepens. Dembski appeals to Rabbi Harold Kushner, who resolves the problem of suffering by limiting God’s power, and to Tony Campolo, who suggests that God voluntarily cedes power to human freedom; positions incompatible with a thesis that requires God to exercise maximal power across billions of years to impose retroactive suffering on creation. He suggests that God created a perfect world, that the Son of God somehow disrupted that perfection, and that God was then forced to rewrite the story while it was being undone. Such a view divides the Trinity into competing agents and reduces God’s eternal now to a sequence of creaturely reactions. In attempting to preserve a literal reading of Genesis, Dembski abandons the very doctrines of divine eternity, unity, and immutability that Christianity has always affirmed.

His treatment of Chronos and Kairos only compounds the confusion. He proposes that God creates in Kairos and implements in Chronos, as though the eternal act of God could be divided into a timeless planning phase and a temporal execution phase. But Kairos and Chronos are categories of human experience, not metaphysical compartments within the divine life. By splitting God’s creative act into stages, Dembski collapses divine eternity into creaturely sequence, producing a picture of God who drafts outside of time and then steps into time to carry out the plan. It is a scheme that contradicts both classical doctrine and the logic of his own argument.

The result is a proposal that feels less like a coherent theological model and more like a solution in search of a problem; an attempt to preserve a preferred interpretation rather than a conclusion arising naturally from the metaphysics he invokes. His argument depends on a literal, historical Adam whose single act introduces moral disorder into the entire cosmos, yet he never defends this premise or engages the long tradition that treats Adam as archetype rather than biological progenitor. Nor does he address the scientific evidence that humanity emerged from a population rather than a solitary pair. The entire structure stands on an unexamined foundation.

By contrast, a more coherent theological reading sees Eden as a deliberate environment constructed to teach humanity its telos. God did not create paradise for idle comfort but to reveal that abundance without purpose is not paradise; that safety without responsibility is not fulfillment; that comfort without growth is tedium. The expulsion from Eden is not divine vindictiveness but the extension of the curriculum: a life in which effort–trial and error, consequence, and responsibility become the conditions for virtue. Original Sin is not a permanent stain but the beginning of moral adulthood, an inherited condition whose guilt is washed away in baptism. God does not abandon humanity after the Fall; He immediately promises redemption and sets further boundaries to guide the soul toward righteousness.

In this light, Eden is not the site of global catastrophe but the first classroom of the human spirit. Eden and Adam are not the problem but the beginning of the solution. It is the place where freedom is defined, purpose is revealed, and the long winding road of redemption begins.

Graphic: The Expulsion of Adam and Eve from Paradise by Benjamin West, 1791. Public Domain

Freedom to Live—Telos to Thrive

Humans do not live by bread alone. Abundance may fill the stomach, but it doesn’t energize the soul. Somehow a life free of want and fear comes up lacking.

Adam, Eve and the Garden of Eden, the world’s first utopia, looked upon as a psychology experiment, failed. Failed in the sense that any utopia built only on abundance is already hollow. The question, then, is why? They were given food, water, sex beyond their basic needs. Their environment required no clothes. No predators threatened their existence. Labor and death were concepts not pondered. But in the end, it wasn’t enough. Why did it fail?

The answer, which will be explored further below, appears to revolve around the concept of purpose. A world; a utopia, that meets all needs but offers no purpose is not paradise but a gilded “behavioral sink.” A world without vocation, responsibility, sacrifice, striving, or narrative is a hollow reed: it stands, but it is filled with nothing. A world where nothing is required except obedience becomes unbearable stagnation. A world without purpose is not a meaningful, conscious life.

The Greeks called this deeper purpose to enliven the soul, telos. The purpose toward which life is directed. Without telos, abundance becomes a cage, a prison. With telos, even scarcity can be endured with dignity.

John Calhoun, ethologist, set out to study overpopulation but instead discovered something stranger: a behavioral sink: a kind of social and spiritual death. The colony did not collapse from too many mice, but from the breakdown of roles and meaning that eventually produced too few.

In his now famous “Universe 25” mouse utopia experiment, he showed that survival without purpose, at least for mice, collapses into withdrawal and extinction. Modern societies risk the same fate when they pursue utopia: abundance without struggle, surveillance as safety, and communal aid as the elimination of all negatives. The challenge is not simply to live, but to thrive; and thriving requires telos: a purpose.

John Calhoun’s experiment was designed to eliminate scarcity. Within a large enclosure, mice were given unlimited food and water, nesting material, and protection from predators. Eight mice were introduced, 4 male/female pairs, and the population grew rapidly, doubling every fifty-five days until it reached more than two thousand individuals (8 doublings): filling all available space. Yet despite this apparent freedom from want or fear, the colony eventually collapsed, seemingly due to extreme density and the breakdown of social roles. Fertility declined, social roles dissolved, abnormal behaviors proliferated, and reproduction ceased altogether. The colony died out, not because resources were lacking, but because abundance without freedom and meaning likely produced a breakdown. Calhoun coined the term “behavioral sink” to describe this collapse of social roles under conditions of density in a constrained space. The experiment suggested that abundance alone does not guarantee flourishing; without freedom, space, and above all, purpose, societies can unravel even in material plenty.

Subsequently psychologist Jonathan Freedman studied human responses to crowding and found that people did not exhibit the same collapse seen in Calhoun’s mice. Yet it is hard to look at modern societies and conclude that the behavioral sink: the collapse of social norms and the retreat from family formation, is entirely absent.

The Greeks would have recognized the deeper societal problem immediately. For them, the question was not simply how to survive, but how to live and prosper in accordance with telos: the end, the purpose, the fulfillment toward which life is directed. Aristotle described every being as having a natural telos: the acorn’s telos is to become an oak, the flute’s telos is to produce music, and the human telos is to live a life of virtue and flourishing, what he called eudaimonia.

Telos is purpose. For man it implies more than giving meaning to biological life. It suggests a dichotomy of mind versus consciousness: brain versus soul. Freedom from want and fear feeds the mind but provides nothing of sustenance for the soul.

Earlier societies understood this intuitively and built cultural codes to bind abundance to purpose. Chivalry, whether in its medieval form or its later incarnation as the English gentleman’s ethic, was precisely such a telos. It required the strong to protect the weak, but also required the weak to participate in the moral order. It paired mercy with discipline, generosity with boundaries, and honor with responsibility. Chivalry was not sentiment; it was a teleological architecture that kept abundance from becoming decadence.

The mice in Calhoun’s enclosure had food, water, and shelter, but no telos. Once density eroded their social roles, a slow downward spiral ensued. Humans in modern societies face the same paradox: welfare systems, surveillance, and engineered abundance can provide material plenty, but if they strip away telos: purpose, meaning, struggle, and virtue; all outcomes drift toward dystopia.

But if the soul is only in the domain of man, why did the mice without purpose also die? Mice perceive. They have instinct and social drives. They have memory and respond to stress. But they do not have a moral imagination or the capacity to choose meaning. A mouse in the experiment could not rebel against its environment by inventing a new one. The mice died because they reached the limits of space and mind. Social instincts, stress circuits, and behavioral roles all exploded and collapsed. They died because they were in a closed world and their minds could not adapt. They were trapped.

Eden failed not because humans are like mice. Man’s mind can adapt to a life of plenty, but the soul cannot adapt to tedium. Eden failed because man was built to struggle. Perfect conditions, total comfort, safety, and abundance lead to decline, not nirvana.

Eden and Universe 25 fail for different reasons. The mice died because they could not leave. Man was expelled from Eden because he reached for a transcendence and was not permitted. Humans were not allowed to question, seek, reach, or transcend their existence. Paradise needs struggle.

So why did an omniscient God create Eden? Probably because it was never meant to be a final state but a contrast state. A teaching moment. A world without fear, scarcity, or struggle in which the human soul could discover that comfort alone is not enough. In a paradise where every need was met, the only meaningful act was the one that revealed the nature of consciousness itself: the choice to reach beyond the enclosure. The serpent did not tempt Adam and Eve with pleasure but with becoming: “you will be like gods,” awakening a longing for agency, knowledge, and purpose that abundance could not satisfy. Their disobedience was not a failure of design but the moment in which the soul recognized that a static world cannot contain a teleological being. Eden exists in the story not as a utopia that failed, but as the stage on which freedom becomes visible and the human need for telos is revealed.This pattern is not confined to myth or laboratory. When purpose collapses, societies follow the same arc as Eden and Universe 25: abundance without telos gives way to stagnation, stagnation to withdrawal, and withdrawal to demographic decline. A people who cannot articulate why life is worth living will eventually cease to create life at all. The first sign of a civilization losing its telos is not revolution or war, but falling birthrates. The quiet demographic signature of a culture that no longer believes in its own future.

Across Europe, the United Kingdom, and increasingly the United States, fertility rates have fallen well below replacement. In Germany, Italy, and Spain, fertility hovers around 1.2 to 1.3 children per woman (2.1 is replacement level). In the UK it is around 1.5; in the U.S., about 1.6. This decline is not simply biological; it is sociological. Fertility is shaped by density, cost of living, cultural norms, and moral frameworks. Where communal support is strong: rural areas, religious communities, fertility often remains closer to or above replacement. In urban centers, where density and what might be called collective individualism dominate, fertility collapses. Declining birthrates are thus a symptom of lost telos. Families are not formed because the conditions for raising children feel untenable, and because the cultural narrative of purpose has weakened.

Chivalry once provided that narrative. It linked male strength to generational duty, female dignity to communal honor, and children to the continuity of the moral order. It gave family formation a story, not merely a biological function. When chivalry collapses, fertility collapses, not because people cannot reproduce, but because they no longer know why they should.

The paradox is sharpened when abortion policies are considered. In most of Europe and the UK, abortion is legal within the first trimester, framed as healthcare and autonomy. In the U.S., abortion remains contested but widely available in many states. Here lies the disconnect: abortion is framed as expanding individual autonomy: the freedom from unwanted obligation, while fertility decline reflects the collapse of collective freedom, the freedom to flourish and raise children. Societies expand freedom at the individual level while eroding it at the collective level. Autonomy is preserved, but telos is undermined.

To buttress declining populations, European countries and the UK have encouraged immigration. Migrants often come from regions with higher fertility rates, offsetting demographic decline and supporting aging workforces. Immigration is thus a pragmatic solution to population collapse: but it does not address the root causes: density, freedom, and telos. It is a patchwork repair, adding new blocks to a crumbling wall without restoring the foundation. The deeper paradox remains: abundance without purpose produces collapse, and immigration cannot substitute for the conditions that allow families to thrive, especially if society’s new members are supported without shared cost, shared culture, or shared telos.

Density alone does not dictate outcomes; it interacts with telos, governance, and cultural frames. Lagos, Nigeria, is one of the most densely populated and chaotic cities in the world, often described as bordering on ungovernable. Infrastructure is weak, governance is fragmented, and daily life is improvisational. Yet fertility remains high. The reason is that telos: family, lineage, and communal identity, remains intact. In Lagos, children are wealth, kinship and clan networks are survival, and religion provides meaning. Even in smothering density, purpose sustains resilience. The city may be chaotic, but it is alive.

By contrast, the homeless encampments of Los Angeles resemble Lagos in their improvisational density and lack of formal governance. Tents, makeshift shelters, and informal economies proliferate. Yet here fertility does not thrive. Rampant mental illness and drug use erode telos. The cornerstone of family, community, and purpose has collapsed. What remains is density without meaning, abundance without direction. Food programs, shelters, and aid exist, but they do not restore purpose. The result is stagnation and despair rather than resilience. Los Angeles encampments show that chaos without telos collapses into dysfunction.

Bangkok, Thailand, illustrates the opposite extreme. Governance is strong, infrastructure is orderly, and surveillance is extensive. Yet fertility has collapsed to ultra-low levels. Here, telos has been eroded not by chaos but by over-governance and modernization. Families shrink, marriage is delayed, and children are no longer seen as wealth or purpose. Bangkok epitomizes the behavioral sink in human form: density magnified by order but hollowed of telos.

These contrasts reveal the missing quadrant: a society that pairs order with telos. This was the promise of chivalry. Lagos has telos without order; Bangkok has order without telos; Los Angeles has neither. Chivalry represents the fourth possibility: order with purpose, structure with meaning, boundaries with dignity.

Together these cases sharpen the living paradox. Lagos thrives in chaos because telos survives. Los Angeles collapses in chaos because telos has dissolved. Bangkok collapses in order because telos has been eroded by governance. The lesson is clear: density is the stressor, but telos is the barrier to collapse. Where telos is strong, fertility can endure even in smothering conditions. Where telos is weak, density accelerates collapse. A utopia pursued through governance can become more dystopian than chaos if it erodes purpose. Man needs a purpose. Without it, abundance becomes nothing more than a cage: a prison with flowered curtains; with it, even hardship can be transformed into amber waves of plenty.

Urban America provides its own cautionary tale. Under Lyndon Johnson’s Great Society, HUD launched massive urban renewal programs meant to eliminate “slums.” Entire neighborhoods once vibrant with shops, churches, and homes were razed. In their place rose brutalist public housing towers like Pruitt-Igoe in St. Louis and Cabrini-Green in Chicago. Instead of dispersing poverty, these projects concentrated it vertically, creating ghettos in the sky. The architectural order stripped away human scale, while the destruction of community fabric erased telos. Where once there were family networks, small businesses, and congregations, there was now isolation, surveillance, and stigma. The result was alienation, crime, and eventual demolition. HUD’s well‑intentioned utopia became a dystopia, echoing Calhoun’s mice: abundance of shelter without freedom or telos collapses into dysfunction.

Chivalry offers a counterpoint here as well. It was a social contract, not a bureaucratic one. It preserved dignity by pairing generosity with expectation, aid with responsibility, and protection with participation. Modern welfare systems sever the relationship and keep only the transfer. The result is dependency instead of resilience, abundance without telos.

Surveillance adds another layer to the modern enclosure. In Calhoun’s experiment, the enclosure walls were the hidden constraint. For humans, surveillance plays a similar role. In China, the social credit system tracks citizens through cameras, financial records, and online behavior, with scores affecting access to jobs, travel, and services. In Europe and the U.S., facial recognition, biometric ID, and behavioral profiling are increasingly common. Awareness of being watched erodes anonymity, adds stress, and modifies behavior. Surveillance is the human equivalent of the enclosure walls. It defines the boundaries of freedom, even in abundance.

The paradox is that surveillance is justified as safety, efficiency, or order, yet in practice it adds to the stress of density, accelerating the very breakdown it claims to manage. It is the human version of the behavioral sink: not scarcity, but suffocating constraint. And more deeply, surveillance erodes telos by reducing individuals to data points, stripping away the individual dignity of purpose.

Chivalry again stands as the opposite principle: internal discipline instead of external enforcement. A chivalric society requires fewer walls, fewer cameras, fewer bureaucratic constraints, because the code itself governs behavior. Surveillance grows where virtue shrinks.

The pursuit of utopia often plants the seeds of dystopia. Calhoun’s mice dramatize this paradox, and human societies repeat it in subtler ways. Utopia promises abundance and safety, but struggle, risk, and constraint are what give life meaning and resilience. Remove them, and individuals may feel aimless. The enclosure gave plenty, but the will to live wilted. The mice could not leave, explore, or repurpose their world.

For humans, welfare states or surveillance societies may provide abundance but limit autonomy. The invisible walls matter more than the food. Collective solutions often replace organic bonds with bureaucratic systems. Parenting, community, and moral frameworks weaken when the state or collective “fixes” everything. Individuals withdraw because the frame of telos collapses. Even in abundance, awareness of being watched adds psychological weight. For mice, the enclosure was the hidden constraint. For humans, cameras and social scoring systems are the modern equivalent.

The collective aims at population-level stability, but the individual seeks personal meaning, agency, and dignity. When collective solutions optimize for averages, individuals at the margins feel alienated. The bell curve of individuality is reduced to a spike. The revolt or collapse is not irrational; it is a signal that something is not working as intended. It shows that utopia defined by the collective may not align with the individual’s need for telos. The collective optimizes for stability, the individual thrives on agency, risk, and purpose. When those needs evaporate, revolt or withdrawal emerges.

Examples abound in modern policy. Guaranteed income experiments often show that recipients reduce work hours modestly. The reduction is not usually total withdrawal; it is often fewer hours, more time for caregiving, education, or leisure. But the symbolic effect matters: when income is guaranteed, the incentive to work as necessity weakens. The “beautiful ones” of Calhoun’s mice resonate here: abundance without struggle risks withdrawal.

Food stamps provide nutrition support to low-income households, but fraud and misuse exist, and some recipients may not be in dire need but qualify through loopholes or marginal thresholds. The program can attract dependency, with households remaining on benefits long-term rather than transitioning out. Help for the needy becomes normalized as entitlement, and the boundary between “in need” and “not in need” blurs, creating resentment and undermining trust in communal solutions.

The paradox is structural: help for the individual expands freedom‑from immediate crisis, but attracts broader participation, dilutes targeting, and sometimes erodes freedom‑to flourish. Programs designed as umbrellas risk becoming enclosed boxes; constraints that reshape behavior in unintended ways. And most importantly, they risk eroding telos by reducing life to consumption and dependency rather than purpose and flourishing.

Chivalry resolves this paradox by insisting that mercy must be paired with measure. The English gentleman was gallant toward women and the lower classes, but “hard as nails” when duty required it. This duality; compassion with boundaries, is precisely what modern systems lack. They know how to help, but not how to say no. Chivalry understood that saying no is sometimes the highest form of care, because it preserves dignity and agency. All good parents know this instinctively.

The lesson is not that communal aid is bad, but that design matters. If aid is too broad, it attracts those beyond need. If aid is too narrow, it misses the vulnerable. If aid removes all struggle, it risks eroding resilience. If aid balances support with responsibility, it can rebuild freedom‑to‑flourish. The paradox is that governments often attempt to engineer away all negatives, but the outcomes drift toward fragility rather than resilience. The mice in Universe 25 were given abundance: no hunger, no predators, no scarcity. Yet the absence of struggle did not produce flourishing; it produced an unremitting, total collapse.

Humans in modern welfare states face a similar paradox. Governments try to eliminate negatives: poverty, hunger, homelessness, drug use, through programs and interventions. Yet the outcomes are mixed: dependency, loss of initiative, bureaucratic surveillance, and sometimes deeper alienation. Erase all struggle, and resilience erodes. Limited means is not the enemy; it is the forge of adaptive capacity. Without struggle and purpose, societies grow brittle and collapse. Challenges often provide purpose. When all negatives are removed, individuals may feel rudderless and adrift.

To eliminate negatives, governments also expand monitoring: drug tests, social scores, biometric IDs. This adds stress, reproducing the under‑the‑microscope effect. Policies aimed at fixing one problem can create others. Housing programs may provide shelter, yet leave mental health and community breakdown untouched, creating dependency instead of resilience. Surveillance systems are justified as safety but erode privacy and increase stress in dense populations. The balance is razor‑thin. Too much intervention suffocates autonomy; too little starves collective flourishing. The missing element is telos. Without purpose, abundance becomes dystopia.

The pursuit of utopia, removing all negatives, often produces dystopian outcomes because it confuses abundance with flourishing. Flourishing requires freedom, struggle, and telos. Utopia removes struggle, but in doing so, removes meaning. The result is collapse: the behavioral sink in mice, fertility decline and alienation in humans. The challenge is to design programs that support resilience and meaning, rather than erasing all negatives.

A moral cycle often attributed to G. Michael Hopf: “Hard times create strong men. Strong men create good times. Good times create weak men. Weak men create hard times,” encapsulates the utopia-to-dystopia paradox. Hopf’s cycle is not merely historical; it is teleological. Societies rise or fall according to the strength of their purpose.

Population decline is not linear, nor is it destiny. It is cyclical, shaped by density, freedom, and telos. When societies become too dense, when surveillance erodes autonomy, when communal bureaucracy substitutes for organic bonds, fertility and flourishing decline. Yet when density eases, when freedom is restored, when telos is rediscovered, populations rebound. History shows this rhythm: humanity has survived bottlenecks, plagues, wars, and famines, and each time rebounded when purpose was renewed.

The Greeks understood that man needs a telos, an end toward which life is directed. Without telos, abundance becomes a monkey cage; with telos, even scarcity can be endured with dignity. Calhoun’s mice remind us that survival is not about food and shelter alone. It is about freedom, meaning, and purpose.

Modern societies risk repeating the experiment when they pursue utopia as abundance or the absence of need without struggle, surveillance as safety, and communal aid as the elimination of all negatives. The paradox is that such utopian attempts often promote dystopian outcomes. The challenge is not to remove every negative, but to build an airy house on a foundation of resilience, dignity, and telos. Only then can abundance become flourishing, and only then can societies escape the behavioral sink.

Chivalry offers a final lesson: flourishing requires mercy, measure, and mettle. Mercy to lift the vulnerable. Measure to set boundaries that preserve dignity. Mettle to uphold the moral order even when it is difficult. Chivalry is not medieval nostalgia; it is a teleological architecture that binds abundance to virtue. Without such a code, abundance becomes a cage. With it, even hardship becomes a forge.

Chivalry once served as the mediating code between secular authority and sacred telos, binding worldly power to transcendent purpose. It stood in the space where kings governed and churches taught, ensuring that strength was disciplined by virtue and that mercy was bounded by responsibility. But in the modern age, this mediating role has eroded. Secular governments have expanded into moral territory, while many churches, entangled in state funding, NGO partnerships, and bureaucratic incentives, have softened their prophetic edge, echoing the language of administration rather than the guidance of the soul. When the sacred becomes an extension of the state, it can no longer offer counter‑telos; it becomes a chaplaincy to the administrative order. Money talks, and institutions drift toward the priorities of their patrons. The result is a vacuum where chivalry once stood: no moral architecture to restrain abundance, no internal compass to replace external surveillance, no code to bind freedom to responsibility.

Striving toward a vision of utopia is a failure to see that purpose, not perfection, sustains a society.

(Post‑script: Calhoun’s mice peaked at roughly 15–18 months and collapsed by about 48 months: an approximate 1/3 to 2/3 split between peak population and extinction. Universe 25 was the 25th iteration of his utopia experiments; earlier versions ended prematurely, but the behavioral patterns he observed: social breakdown under abundance and density, were consistent across his work. Scaled to humans: U.S. population is projected to crest around 2040–2080, suggesting the attempt at utopia began around Johnson’s Great Society, followed by a ~200‑year decline toward collapse (2240–2280). Strikingly, this peak falls within Isaac Newton’s own apocalyptic horizon, which he argued could not arrive before 2060. Abundance, demography, and prophecy all converge to remind us that abundance without telos has a half‑life, or at least a shelf‑life. Strangely, that also suggests that the timing of the apocalypse is of our own making: as a society the time to die is our choice.)

Curse of the Estranged

Gabriel García Márquez’s (1927–2014) One Hundred Years of Solitude is a masterpiece of magical realism; at once stoic, uplifting, comically despondent, and burdened by the fatigue of generational inheritance. Yet the novel is less an invention of imagination than a genealogical metaphor of memory, familial hope, and civilizational rise and fall. It rises like a sanctuary built from familiar tablets: the Bible, Cervantes, Voltaire, Tolstoy, Proust, Faulkner, Joyce, Steinbeck, and Borges. Each echo resounds through the Colombian fictional town of Macondo, transforming it into a mythic stage where memory, estrangement, and loneliness endlessly repeat.

From the very first pages, Márquez threads this cycle with solitude: literally. Including the title, the word appears fifty‑two times in the century‑long history of Macondo and the Buendías. This repetition carries a biblical resonance, binding the family of protagonists and antagonists alike to a penitential tether, chained to their founding dynasty.

In Spanish, soledad is semantically broader than its English counterpart. It signifies estrangement and alienation, being cut off from community, intimacy, or history, even exiled. Yet it also carries the weight of aloneness and solitude: quiet, contemplative, existential. Both registers coexist, and the Spanish reader does not have to choose.

For the English reader, however, the word disconnects, pulling them towards a definition that resists the narrative. The translator, and likely Márquez himself, kept this tension to force meditation not only on the word but on the characters’ purgatory. The Buendías are lost in their obsessions, unable to connect to those around them. In the first half of the book, solitude leans toward estrangement and alienation; by the latter half, it transforms into aloneness, as the Buendías begin to accept their fate. The family lives together in their sanctuary but they live their lives separate and alone. In its final use, the meaning retreats back to estrangement and collective dissolution, a history erased, trapped in a myth of their own making: “because races condemned to one hundred years of solitude did not have a second opportunity on earth.”

Márquez saturates the Buendía saga with biblical archetypes, weaving Genesis, Exodus, Revelation, and Marian purity into the fabric of Macondo: an Eden where death was alien, maturing into purgatory, then the Flood, and finally apocalypse. José Arcadio Buendía, the founder, is Adam and Noah at once, naming the world yet cursed by forbidden knowledge. “The earth is round, like an orange,” he declares, signaling a lifelong obsession with the metaphysical and the scientific. His wife, Úrsula Iguarán, is Eve and Sarah, burdened by genealogy and the fear of incest as original sin, a fear that culminates in the pig’s tail. Melquíades, the gypsy prophet, is Elijah and Daniel, his parchments the scripture of Macondo. The saga culminates in apocalyptic imagery: four years of rain, a final wind of destruction, Revelation retold as estrangement and erasure: endless solitude.

But Márquez’s tablets of echoes reach further, extending beyond scripture into the canon of world literature. The novel from the first pages breeds familiarity with the reader. One Hundred Years of Solitude is less a solitary invention than a refracting of the great books through Macondo’s myth. Its pages carry the shadows of Ovid’s transformations, Homer’s wanderings, Cervantes’ absurd quests, Kafka’s fate, Borges’ magic, and Proust’s memory; a literary inheritance reborn in Macondo’s myth.

These echoes form the very foundations of the narrative, opening into critiques of power, class, and the absurdity of the human condition. They expose an overreliance on human appetites; sexuality, incest, adultery, compulsion; that drive the fate of the family. The Buendías cannot conquer their world or their desires. Noble beginnings collapse into a fated Sartrian No Exit. And in the end, the Buendías’ saga dissolves into futility, their century of solitude reduced to the bitter irony that “wisdom was worth nothing if it could not be used to invent a new way of preparing chickpeas.”

Graphic: Gabriel Garcia Marquez by Jose Lara, 2002. Flickr

Rainbows

God’s Edenic Covenant with Adam and Eve in which they were promised eternal life and given dominion over the animals stipulated that they were to obey one command: not to eat the fruit from the tree of knowledge (of good and evil).

That didn’t work out well for Adam and Eve, so he made a covenant with Noah after the flood that included seven laws for man to live a just and moral life. With man’s observance, God promised to never destroy the world by flood again.  God sealed the covenant by creating a rainbow.

The seven laws of Noah:

1 – Do not worship false gods

2 – Do not curse God.

3 – Do not murder.

4 – Do not commit adultery or sexually immorality.

5 – Do not steal.

6 – Do not eat flesh from a living animal.

7 – Establish courts of justice.

Source: Seven Laws of Noah by Slon Anava, 2014, Azmut. Graphic: Noahs Dankgebet by Domenico Morelli 1901, Public Domain.

The First Superhero

Gilgamesh: A New English Version

Translator: Stephen Mitchell

Published by Free Press

Copyright: © 2004

Stephen Mitchell-Amazon Picture

Biography:

Stephen Mitchell was born in Brooklyn in 1943 (80ish), educated at ‘Ivy League’ schools in the US and France, and, quoting his words, “de-educated through intensive Zen practice“. That may be just a spoonful of humor, it is though a spoonful of humility, and a large serving of Zen-Socratic wisdom. A wisdom that becomes one that reflects upon his life and realizes his education has granted him neither knowledge nor wisdom. He does not say what the Ivy League has instilled in him, but the derivation of any real value from those hallowed halls, as seen from the Zen rear-view mirror, appears minimal.

In an interview with the Los Angeles Times, he ruminates that “If I’m a scholar, I’m an amateur“. A humble observation in the truest form of the personal quest for fulfillment and enlightenment. In the same interview, elaborating on Chuang-tzu in Mitchell’s ‘The Second Book of the Tao‘, he says: “I have no pretensions to scholarship. I just love to play with the Taoist masters. For them, nothing is sacred. The best tribute is contradiction.” Again, humility before all, all before self.

In a separate interview with Scott London also discussing ‘The Second Book of the Tao‘ Mitchell relates the teachings of Chuang-tzu as a philosophy of the unassuming and the simple life. “There was nothing to live up to,” he says. “There was only a passion for the genuine, a fascination with words, and a constant awareness that the ancient Masters are alive and well in the mind that doesn’t know a thing.” Mitchell personifies and lives that philosophy.

Mitchell has translated and authored many books including the bestselling Tao Te Ching, Gilgamesh, The Gospel According to Jesus, and his latest book, The First Christmas released in 2021. He is also the coauthor of three of his wife Byron Katie’s bestselling books: Loving What Is, A Thousand Names for Joy, and A Mind at Home with Itself and numerous children’s books.

The Discovery of the Story of Gilgamesh:

The Epic of Gilgamesh was, in the beginning, a series of Sumerian poems/stories likely passed down through the ages as oral histories before being written down in Akkadian 700-1000 years after the reign of the mythical/historical King of Uruk: Gilgamesh.

Mitchell may have been introduced to the literary stature of Gilgamesh while translating the Austrian mystic poet, Rainer Marie Rilke. Rilke wrote at the end of 1916. “I … consider it to be among the greatest things (the poem Gilgamesh) that can happen to a person. I have immersed myself in [it], and in these truly gigantic fragments I have experienced measures and forms that belong with the supreme works that the conjuring Word has ever produced.

The poem, written in Assaryian cuneiform script, on clay tablets, was discovered by Austen Henry Layard while excavating mounds, beginning in 1844, around what is now known as the city of Mosul. The mounds turned out to be the remains of the ancient Assyrian capital palaces of Nineveh including the library of King Ashurbanipal or Ashur Banipal (668-627 BC) depending on the source. Over 25,000 clay tablets from the library, twelve of which contained the poem, were shipped back to the British Museum. It took until 1872 before the poem was discovered among this immense trove of tablets and in 1872 George Smith translated and published the poem. These twelve tablets contain the fullest version of the poem found to date.

The first surviving version of the combined epic is known as the Old Babylonian version and dates from the 18th century BC. The longer and more complete copy of the poem, from King Ashurbanipal’s library is from the 10th to the 13th centuries BC and is known as the Standard version. Currently seventy-three fragments, possibly more, of the Standard version have been discovered containing some two thousand lines of the original, which is surmised to be three thousand lines long.

Mitchell mainly adapts the Standard version into a contemporary English language poem with gap filler supplied by the Old Babylonian version. Where there is no original material to complete known gaps, Mitchell has contributed original work to provide clarity and to maintain continuity.

The Man of Gilgamesh:

Gilgamesh is accepted as being the 5th king of Uruk, possibly reigning roughly in the 26th century BC (2800-2500 BC) for 126 years. Some believe the long reign of 126 years may actually be a number in base six which would equate to 54 years in base ten. Very little is known of his reign with the exception that he built the walls Uruk, is listed in the Sumerian King list, and is mentioned as a contemporary of Aga, son of King Enmebaragesi of Kish.

Aga, who ruled over Sumer for 625 years, is the antagonist in the Sumerian poem ‘Gilgamesh and Aga‘, recording the King of Kish’s siege of Uruk after Gilgamesh refused to submit to him. From the poem Aga commands Gilgamesh and the citizens of Uruk to work forever as slaves on Kish’s irrigation projects.

There are wells to be finished.
There are wells in the land to be finished.
There are shallow wells in the land to be completed.
There are deep wells and hoisting ropes to be completed

Gilgamesh is made King of Uruk for his defiance and resistance to Aga’s demands. King Gilgamesh captures Aga on the 10th day of the siege but sets him free to return to Kish.

The Land of Gilgamesh:

Uruk was a Sumerian city-state established in the southern reaches of Mesopotamia and was located on the east bank of the Euphrates River. The river today, through the process of river channel migration, is much further to the west. The city and its surrounding area were home to about 40,000-125,000 people, who during the time of Gilgamesh controlled the entire Sumer area.

The Sumerian area and Uruk lay claim to the beginnings of civilization, urbanization, laws, and writing. Cuneiform, wedge shaped writing on clay tablets and the earliest known system of writing, dates to the fourth millennium BC with the oldest examples being inventories of goods stored and transported in and out of the Sumer area.

The oldest known surviving law code, the Code of Ur-Nammu, in the world comes down through the ages from the Sumerian king Ur-Nammu or his son Shulgi of Ur during the last half of 21st century through the beginning of 20th century BC. The Code of Urukagina is older but is known only through references in other ancient writings. The better-known Babylonian Code of Hammurabi is younger and dates from the eighteenth-century BC.

The greatest architectural monument of Uruk was the White Temple built upon the Anu Ziggurat during the fourth millennium. The temple was thirteen meters high and 22.3 x 17.5 meters in depth and width. It stood upon a ziggurat with dimensions of 50 x 46 x 10 meters in depth, width, and height, respectively. On the flat plains surrounding Uruk it was visible in the distance for kilometers.

German archaeological excavations in 2003, conducted in and around the old riverbed of the Euphrates, have reportedly revealed garden enclosures, specific buildings, and structures described in The Epic of Gilgamesh, including Gilgamesh’s tomb. According to The Death of Gilgamesh, he was buried at the bottom of the Euphrates when the waters parted after he died. There is debate whether these excavations and discoveries exist or are a hoax. These discoveries have not been confirmed and no updates from the original can be found but one of the original authors of the 2003 study is Jorg Fassbinder, a geophysical archeologist associated with the University of Munich.

Uruk is also recognized as the city of Erech, founded by Nimrod, great-grandson of Noah, as mentioned in Genesis 10:10:

8And Cush begat Nimrod: he began to be a mighty one in the earth. 

9He was a mighty hunter before the LORD: wherefore it is said, Even as Nimrod the mighty hunter before the LORD. 

10And the beginning of his kingdom was Babel, and Erech, and Accad, and Calneh, in the land of Shinar. 

11Out of that land went forth Asshur, and builded Nineveh, and the city Rehoboth, and Calah

The Legend of Gilgamesh:

Gilgamesh in Sumerian possibly means ‘The Old Man Is a Young Man’ or ‘The Ancestor Was a Hero’. An immortal Hero, a synthesis that brings us to the story and plot of Gilgamesh.

Gilgamesh is the epic hero of the times. Dashing, brave, adventurous; a seeker of immortality and wisdom but not much in the way of kingly benevolence. The gods knowing Gilgamesh lacked wisdom sent him his twin and his opposite: Enkidu. Enkidu became Gilgamesh’s brother and constant companion. Thus begins the quest of Gilgamesh to find himself. It is far more than that, though, as Mitchell explains:

Part of the fascination of Gilgamesh (the story and person) is that, like any great work of literature, it has much to tell us about ourselves. In giving voice to grief and the fear of death, perhaps more powerfully than any book written after it, in portraying love and vulnerability and the quest for wisdom, it has become a personal testimony for millions of readers in dozens of languages.

Gilgamesh, as with some of his readers of today, is slow to learn the lessons of life, slow to acquire wisdom even when it is given to him/us for free. From the old Babylonian Version in Book X, Siduri, a wise matron brewer of beer offers Gilgamesh an opiate of advice for his pain brought on through the death of his brother Enkidu.

“Gilgamesh, where are you roaming? You will never find the eternal life that you seek. When the gods created mankind, they also created death, and they held back eternal life for themselves alone. Humans are born, they live, then they die, this is the order that the gods have decreed. But until the end comes, enjoy your life, spend it in happiness, not despair. Savour your food, make each of your days a delight, bathe and anoint yourself, wear bright clothes that are sparkling clean, let music and dancing fill your house, love the child who holds you by the hand, and give your wife pleasure in your embrace. That is the best way for a man to live.”

Gilgamesh declines the advice to live for the day and continues with his quest for immortality.

Bibliography:

Dropping Ashes on the Buddha: The Teaching of Zen Master Seung Sahn. 1976

The Selected Poetry of Rainer Maria Rilke. 1982

The Sonnets of Orpheus. 1985

The Book of Job. 1987

Tao Te Ching: 1988

The Enlightened Heart: An Anthology of Sacred Poetry 1989

The Creation. 1990

The Enlightened Mind: An Anthology of Sacred Prose. 1991

Parables and Portraits. 1991

The Gospel According to Jesus: A New Translation and Guide to His Essential Teachings for Believers and Unbelievers. 1991

A Book of Psalms: Selected & Adapted from the Hebrew. 1993

Into the Garden: A Wedding Anthology. 1993

Ahead of All Parting: The Selected Poetry and Prose of Rainer Maria Rilke. 1995

Bestiary: An Anthology of Poems about Animals. 1996

Genesis: A New Translation of Classic Biblical Stories. 1996

The Selected Poetry of Dan Pagis. 1996

The Selected Poetry of Yehuda Amichai. 1996

Full Woman, Fleshly Apple, Hot Moon: Selected Poems of Pablo Neruda. 1997

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Meetings with the Archangel: A Comedy of the Spirit. 1998

The Frog Prince: A Fairy Tale for Consenting Adults. 1999

Bhagavad Gita: A New Translation. 2000

The Nightingale. 2002

Loving What Is: Four Questions That Can Change Your Life. With Byron Katie. 2002

Jesus: What He Really Said and Did. 2002

Can Love Last?: The Fate of Romance Over Time, 2002

The Wishing Bone. 2003

Gilgamesh: A New English Version. 2004

The Essential Neruda: Selected Poems (Bilingual Edition). 2004

A Thousand Names for Joy: Living in Harmony with the Way Things Are. With Byron Katie. 2007

Iron Hans: A Grimms’ Fairly Tale. 2007

Genies, Meanies, and Magic Rings: Three Tales from The Arabian Nights. 2007

The Tinderbox. 2007

The Ugly Duckling. 2008

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The Iliad. 2011

The Odyssey. 2013

A Mind at Home with Itself: How Asking Four Questions Can Free Your Mind, Open Your Heart, and Turn Your World Around. With Byron Katie. 2017

Beowulf. 2017

Joseph and the Way of Forgiveness: A Story About Letting Go. 2019

The First Christmas: A Story of New Beginnings. 2021

References and Readings: