Pericles-Funeral Oration:

At the end of first year of the Peloponnesian War in 431 BC Athenians held the customary public funeral to honor the soldiers who gave their lives in the war against Sparta. As Thucydides records in his “History of the Peloponnesian War” the funeral was a procession of citizens that ushered ten cypress coffins representing the ten Athenian tribes plus one more for the soldiers not recovered from the field of battle to the public graveyard at Ceramicus.

Thucydides further states that “When the bodies had been buried, it was customary for some wise and prudent notable and chief person of the city, preeminent in honor and dignity, before all the people to make a prayer in praise of the dead, and after doing this, each one returned to his House. That time to report the praises of the first who were killed in the war, Pericles, son of Xanthippus, was chosen; who, having finished the solemnities made in the tomb, climbed on a chair, from where all the people could see and hear him, and gave this discourse.

Pericles’ speech was given not only as a tribute to the fallen, but a celebration of the Athenian citizens’ patriotism and urged them to honor the dead by continued support for the city and its democratic ideals.

The following is the first paragraph of the speech recorded by Thucydides:

Most of those who have spoken here before me have commended the lawgiver who added this oration to our other funeral customs. It seemed to them a worthy thing that such an honor should be given at their burial to the dead who have fallen on the field of battle. But I should have preferred that, when men’s deeds have been brave, they should be honored in deed only, and with such an honor as this public funeral, which you are now witnessing. Then the reputation of many would not have been imperiled on the eloquence or want of eloquence of one, and their virtues believed or not as he spoke well or ill. For it is difficult to say neither too little nor too much; and even moderation is apt not to give the impression of truthfulness. The friend of the dead who knows the facts is likely to think that the words of the speaker fall short of his knowledge and of his wishes; another who is not so well informed, when he hears of anything which surpasses his own powers, will be envious and will suspect exaggeration. Mankind are tolerant of the praises of others so long as each hearer thinks that he can do as well or nearly as well himself, but, when the speaker rises above him, jealousy is aroused and he begins to be incredulous. However, since our ancestors have set the seal of their approval upon the practice, I must obey, and to the utmost of my power shall endeavor to satisfy the wishes and beliefs of all who hear me.

Source: Richard Hooker, 1996, University of Minnesota, Human Rights Library. Graphic: Pericles Funeral Oration by Philipp Foltz, 1877, Public domain.

It Rhymes

The adage, History doesn’t repeat itself, but it often rhymes, or less succinctly, historical, and current events may not unfold in the same manner, but they often follow similar patterns or themes. As an example, the rise of authoritarianism usually follows, and rhymes, with the erosion of democratic norms, intolerance of dissent, animosity towards religious or ethnic minorities, economic instability, isolation of true democratic countries, and war.

This quote is often attributed to Mark Twain but no collaborating evidence for him saying exactly this has ever been found. He did say something similar, in a novel he wrote with Charles Warner, the 1874 The Gilded Age: A Tale of To-Day that “History never repeats itself, but the Kaleidoscopic combinations of the pictured present often seem to be constructed out of the broken fragments of antique legends.” The quote in its entirety is sentence that Twain could never write, it had to have come from his co-author.

Austrian American psychoanalyst Theodor Reik, a student of Freud, published an essay in 1965, “The Unreachables” where he wrote: It has been said that history repeats itself. This is perhaps not quite correct; it merely rhymes. There are recurring cycles, ups and downs, but the course of events is essentially the same, with small variations. It has been said that history repeats itself. This is perhaps not quite correct; it merely rhymes.

Regardless of whomever said, History doesn’t repeat itself, but it often rhymes were astute observers of history and life.

Source: Quote Investigator, 2014. Graphic: Publicity photo of Reik, 1920s, public domain.

Anna Karenina

Happy families are all alike; every unhappy family is unhappy in its own way.” So begins Leo Tolstoy’s epic 19th century Russian novel, Anna Karenina. A beginning line that is not only one of literature’s great openings, but it indubitably stages an existential story that transcends time, culture, and humanity: a diegesis of love and misery.

Love and misery where mental and societal control is lost to emotional need. When Anna’s lover, Vronsky, pleads with her to respect her mother’s needs and his duty, she snaps, “Respect was invented to cover the empty place where love should be. And if you don’t love me anymore, it would be better and more honest to say so.” (chapter 24)

Anna Karenina through time has consistently ranked as one of the greatest novels ever written. Encyclopaedia Britannica lists it as the number one novel of all time.

Sources: Leo Tolstoy, Anna Karenina, serialized in 1875, published in book form in 1878. Plath et al, The 100 Greatest Literary Characters, published in 2019. Enclyclopaedia Britannica, 12 Novels Considered the “Greatest Book Ever Written”, by Jonathan Hogeback.

Aleksey Kolesov, “Portrait of a Young Woman” (Anna Karenina), 1885. Public domain, via Wikimedia Commons

Frankenstein, or The Modern Prometheus

It was the year without summer. During the year 1816, temperatures in Europe were the coldest of any recorded between 1766 and 2000. Across the pond in New England frost occurred every month of the year and six inches of snow fell in June. Crops failed, food was scarce, and people died unpleasantly premature.

There was no summer that year because in 1815 the Indonesian volcano, Mount Tambora, had a fit and blew its top, more or less straight up into the stratosphere. The amount of material injected into the upper atmosphere blocked the sunlight and caused global cooling.

Meanwhile, not to let bad weather forestall important matters, Lord Bryon while vacationing in Geneva, challenged his two companions, Percy Shelly, and Mary Godwin, the soon to be Mary Shelly, to a contest of who could write the best ghost story. Lord Bryon and Percy soon abandoned the project, but Mary persevered and published her Frankenstein two years later, giving birth to the monster with no name, countless movies, myths, legends, and frightful nights for children everywhere.

In the tenth chapter of her epistolary novel, Frankenstein, or The Modern Prometheus, we finally meet her fictional monster to learn not only that it lives, but it also speaks grammatically correct King’s English. Shelly cast her monster as Lucifer from the pages of Milton’s Paradise Lost. The monster, addressing its creator, Victor Frankenstein, speaks of profound loneliness, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.”

In the end the monster wishes to die but the author leaves those matters in the reader’s hands.

Sources Frankenstein by Mary Shelly. First published in 1818. The 100 Greatest Literary Characters by Plath et al, published 2019. Cover from a 2012 edition of Frankenstein shown below.

Great Characters in Fiction: Captain Ahab

“I’ll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition’s flames before I give him up.” – From Chapter 36-The Quarter-Deck of Melville’s Moby Dick. Published 1851.

FootNoteA

“Some know him by his peg leg…Others by the white scar that runs head to toe, the result of an unfortunate encounter witha lightning bolt. Still others by his entourage of harpooner henchmen with names like Fedallah, Daggoo, Tashtego, and Queequeq.

Mostly, readers know him because he’s shorthand for any intense, self-destructive fixation…

He, of course, is Captain Ahab…”

Excerpt from “The 100 Greatest Literary Characters”. By Plath, Sinclair, and Curnutt. 2019.

FootNoteB:

The book also has one of the great opening lines in all of literature: “Call me Ishmael.” The narrator introduces himself to the reader in three words. How simple and straightforward can one get? In a few more lines he sets the stage for how he will tell his story. “With a philosophical flourish Cato throws himself upon his sword: I quietly take to the ship.”

FootNoteA: Illustration of the final chase of Moby-Dick. By I.W. Taber. 1902. In Moby-Dick. Charles Scribner’s Sons, New York. Public Domain.

FootNoteB: Illustration below from an early edition of Moby Dick – 1892. C.H. Simonds Co. Public Domain.