The First Precious

Before the One Ring, created by Sauron during the Second Age, Plato created, as a thought experiment, the Ring of Gyges which gave its wearer the cloak of invisibility. Gyges discovered that when he was invisible, he could commit immoral acts and crimes without suffering any adverse consequences or retribution from society.

Plato in his Republic, using the ring of invisibility as an analogy, explores man’s ability to remain honest and moral in the face of immunity from all consequences. He concludes that if one is free of any consequences he will act in his own self-interest, justice be damned, or as the 19th century historian and writer, Lord Acton states, “Power tends to corrupt, and absolute power corrupts absolutely.”

This leads Plato, through the lips of Socrates, to suggest that justice is not a social construct but an inherent quality of one’s soul. The soul must be in harmony with one’s actions and a harmonious soul contributes to a just society. Socrates believed and advised, and he followed his advice, that a harmonious and pure soul leads to true happiness and fulfillment or as the ancient Greeks called it: eudaimonia. For Aristotle eudaimonia is the highest human good and the only human good that is desirable for its own sake, an end in itself. Justice is a by-product of true happiness. Unhappy people and unhappy societies are not just people and just societies.

J.R.R. Tolkien, not only a writer but also a philologist, most certainly was aware of Plato’s Ring of Gyges as an analogy of ultimate power when he used his One Ring in the Lord of the Rings as the definitive symbol of man’s quest to resist and fight evil.

Source: The Republic by Plato. Reason and Meaning.com. Philosophy Terms. Oxford Reference. Graphic: The One Ring, Good Free Photos.

Black Hole of Calcutta

Victorious in a battle against the British on the evening of 20 June 1756 Indian Siraj-ud-Daulah, the ruler of Bengal, imprisoned 146 British troops, and British loyal Indian infantryman and civilians into a 14-by-18-foot Fort William of Calcutta jail cell at 8:00 at night. The prisoners were given no food or water. At 6:00 the following morning the prison cell was opened to find that only 23 of the prisoners remained alive, the rest having perished from suffocation or heat exhaustion.

The prison ever after has been known as the Black Hole of Calcutta.

John Holwell, the prisoner whose account the deaths of 123 persons is based on, acquitted Siraj-ud-Daulah of any guilt “and ascribed it to the malice of certain inferior officers.” Others suggest that the total number imprisoned in the cell equaled about 64 with 21 surviving; either way the number of incarcerated was far beyond the humane limits of the cell.

Source: Itihaas to History. Black Hole of Calcutta by Bruce Heydt, British Heritage, 2024. Wikipedia. Graphic: Artist conception of the Black of Hole of Calcutta, The Granger Collection NY.

Coens’ First

Blood Simple.

Theaters: 12 October 1984

Streaming: 6 December 2022

Runtime: 96 minutes

Genre:  Crime – Drama — Mystery — Neo-Noir — Thriller

Els:  7.5/10

IMDB:  7.5/10

Rotten Tomatoes Critics:  95/100

Rotten Tomatoes Audience:  8.3/100

Metacritic Metascore:  84/100

Metacritic User Score:  8.0/10

Directed by: Joel Coen

Screenplay by: Joel and Ethan Coen

Music by:  Carter Burwell

Cast: John Getz, Francis McDormand, Dan Hedaya

Film Locations:  Austin and Round Rock, Texas

Budget:  $1.5 Million

Worldwide Box Office:  $2.7 Million

Blood Simple is a twisted Texas tale of a honky-tonk owner, a cheating wife, contract killings, misunderstandings, and violence.

This is the Coen brothers’ first movie along with the first major film for Barry Sonnenfeld and Francis McDormand. A classic neo-noir crime film setting the stage for Fargo and No Country for Old Men down the road.

The film was ranked at number 98 on AFI’s 2001 movie listing of the top 100 Thrills in American cinema. In case you are wondering Hitchcock’s 1960 film, Psycho was first.

Source: IMDB. Rotten Tomatoes. Metacritic. Wikipedia. Graphic: Movie Poster, Circle Releasing.

Crios de Susana Balbo Cabernet Sauvignon 2020

Cabernet Sauvignon from Mendoza, Argentina

Purchase Price: $14.99

Rankings: James Suckling 91. Robert Parker 90. ElsBob 91.

ABV: 14.5%

A deep red color, medium to full bodied, aromas of plums and cherries, dry, tannic, with a fresh medium finish. A great sipping wine with strong cheeses or server with steak or lamb.

An excellent wine that has aged nicely with a price is $7-10 less than comparable cabs.

Beck-Ola

This week in June of 1969 Jeff Beck released his second studio album: “Beck-Ola”, and the first album credited to the Jeff Beck Group.  The album peaked on the Billboard 200 at number 15 and is considered a major influence on the future of hard rock and heavy metal.

According to JeffBeck.com the album “cemented the Jeff Beck Group’s place in rock history as one of the prime architects of heavy metal. “It is what it is,” Beck said, recalling the album fondly, “just a snapshot of the situation at the time. The talent was there. We were pioneering heavy rock, big time.”

The album cover is a reproduction of Rene Magritte’s 1958 version of “The Listening Room”.  The apple to Magritte was a symbol for the tension between hidden and visible. Why this painting was chosen for the album remains something of a mystery, but it may just be an expression of adding something new and hidden, heavy metal, to something old and visible, pop and early rock.

The members of the Jeff Beck Group for this album included Beck, Ronny Wood, Rod Stewert, Nicky Hopkins, and Tony Newman, a super group of talent by any measure.

Source: JeffBeck.com. Illustrated Encyclopedia of Rock, 1977. Rene Magritte Organization. Graphic: Beck-Ola Album cover, Epic Records, 1969.

The Rain in Spain

Irish playwright George Bernard Shaw finished writing his best loved play, Pygmalion, a story of English societal class stratification and transformation, in 1912 and it premiered in Germany, of all places, in October of 1913.

The play was inspired by the Greek myth where Pygmalion, a sculptor, fell in love with his ivory creation which was later recounted in Ovid’s Metamorphosis.

The play has been adapted to film and stage in various forms including Shaw’s 1938 film, Pygmalion. The film was then adapted as a Broadway hit musical in the 1956 My Fair Lady by Lerner and Loewe starring Julie Andrews and Rex Harrison, which was then recreated into the 1964 Academy Award winning, blockbuster film of the same name starring Audrey Hepburn and Rex Harrison.

A truly timeless story.

Source: Pygmalion by George Bernard Shaw, 1912. Myths Encyclopedia. Metamorphoses by Ovid, c. 8 AD. Classics.mit.edu/Ovid. Graphic: Mrs. Patrick Campbell as Eliza Doolittle, 1913, Public Domain.

Journalism – Michael Straight

Michael Straight, New Republic publisher, editor, and writer from 1948 to 1956, was a KGB spy associated with the notorious UK Cambridge Five that passed thousands of classified documents and secrets to the KGB from the 1930s through at least the early 1950s.

He worked as a speech writer for Frankin D. Roosevelt and in that administration’s Department of State beginning in 1937. In 1940 he was employed at the Department of State covering the Near East. In 1942 he joined the Air Force and was a pilot of B-17s. After the war he left government service to help run his family’s journalism business: the New Republic. In 1963 he admitted to being a communist spy and outed Anthony Blunt, the recruiter for the Cambridge Five for which he was given immunity from prosecution and a job as Deputy Chairman of the Coordinating Committee for Cuban Affairs in the Kennedy Administration.

After the collapse of the Soviet Union and the end of the Cold War it was revealed that Straight was a much more significant KGB asset than he led the US government to believe.

Source: Historica.fandom.com. History.com. Graphic: Michael Straight at Cambridge, 1936, Public Domain.

The Myth of Er

In Plato’s Republic, and his Phaedo, the Myth of Er is recounted to explain the immortality of the soul and the importance of keeping one’s soul morally pure. Myth in this story doesn’t mean the fable or legend of Er but the word or account of Er.

In the Myth of Er a soldier killed in battle is taken to the afterlife where souls are judged for their actions on Earth. Er, though, rather than be judged, is allowed to witness the fate of new souls’ arrival and report his sights and experiences back to the people of Earth.

The judges send the good souls upward through the celestial spheres, which Plato modeled as the Spindle of Necessity; to further cleanse their souls so they can be sent back to Earth to inhabit a new body, forgetful of their past life. The bad souls descend into the ground and return dirty and tired where they are required to pay a penalty before returning to a new life on Earth. The truly evil are forever confined to the underground to be tormented until the end of time.  

In the Myth of Er the three Fates are responsible for weaving the threads of man’s destiny, maintaining the cycle of birth, experience, and death symbolized by the Spindle of Necessity.

Source: Greek Mythology.com. Plato’s Phaedo. Plato’s Republic Book 10. Epoch Times. Graphic: The Three Fates, painting by Paul Thumann, c. 1800s. Public Domain.

Pericles-Funeral Oration:

At the end of first year of the Peloponnesian War in 431 BC Athenians held the customary public funeral to honor the soldiers who gave their lives in the war against Sparta. As Thucydides records in his “History of the Peloponnesian War” the funeral was a procession of citizens that ushered ten cypress coffins representing the ten Athenian tribes plus one more for the soldiers not recovered from the field of battle to the public graveyard at Ceramicus.

Thucydides further states that “When the bodies had been buried, it was customary for some wise and prudent notable and chief person of the city, preeminent in honor and dignity, before all the people to make a prayer in praise of the dead, and after doing this, each one returned to his House. That time to report the praises of the first who were killed in the war, Pericles, son of Xanthippus, was chosen; who, having finished the solemnities made in the tomb, climbed on a chair, from where all the people could see and hear him, and gave this discourse.

Pericles’ speech was given not only as a tribute to the fallen, but a celebration of the Athenian citizens’ patriotism and urged them to honor the dead by continued support for the city and its democratic ideals.

The following is the first paragraph of the speech recorded by Thucydides:

Most of those who have spoken here before me have commended the lawgiver who added this oration to our other funeral customs. It seemed to them a worthy thing that such an honor should be given at their burial to the dead who have fallen on the field of battle. But I should have preferred that, when men’s deeds have been brave, they should be honored in deed only, and with such an honor as this public funeral, which you are now witnessing. Then the reputation of many would not have been imperiled on the eloquence or want of eloquence of one, and their virtues believed or not as he spoke well or ill. For it is difficult to say neither too little nor too much; and even moderation is apt not to give the impression of truthfulness. The friend of the dead who knows the facts is likely to think that the words of the speaker fall short of his knowledge and of his wishes; another who is not so well informed, when he hears of anything which surpasses his own powers, will be envious and will suspect exaggeration. Mankind are tolerant of the praises of others so long as each hearer thinks that he can do as well or nearly as well himself, but, when the speaker rises above him, jealousy is aroused and he begins to be incredulous. However, since our ancestors have set the seal of their approval upon the practice, I must obey, and to the utmost of my power shall endeavor to satisfy the wishes and beliefs of all who hear me.

Source: Richard Hooker, 1996, University of Minnesota, Human Rights Library. Graphic: Pericles Funeral Oration by Philipp Foltz, 1877, Public domain.

The Most Unkindest Cut of All

Mark Anthony opens his famous, but fictional, eulogy to Julius Caesar with 7 words of endearment and authority; Aristotelian pathos and ethos, that have become as familiar as blue sky to fans of Shakespeare and English lit students everywhere: “Friends, Romans, countrymen lend me your ears”.

Julius Caesar, a tragedy by Shakespeare, written around 1599, was based on Caesar’s life and death as documented in Plutarch’s Parallel Lives.

With pathos, logos and a chariot laden with irony, Anthony turns initial honor for Brutus and Caesar’s ambition inside out. He brings honor to Caesar and lays ambition on Brutus, along with Cassius. He brings condemnation to the conspirators and love for Caesar.

The first few lines of Anthony’s Eulogy:

Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar. The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
And grievously hath Caesar answer’d it.
Here, under leave of Brutus and the rest–
For Brutus is an honourable man;
So are they all, all honourable men–
Come I to speak in Caesar’s funeral.
He was my friend, faithful and just to me:
But Brutus says he was ambitious;
And Brutus is an honourable man.
He hath brought many captives home to Rome
Whose ransoms did the general coffers fill:
Did this in Caesar seem ambitious?
When that the poor have cried, Caesar hath wept:
Ambition should be made of sterner stuff:
Yet Brutus says he was ambitious;
And Brutus is an honourable man.
You all did see that on the Lupercal
I thrice presented him a kingly crown,
Which he did thrice refuse: was this ambition?
Yet Brutus says he was ambitious;
And, sure, he is an honourable man.
I speak not to disprove what Brutus spoke,
But here I am to speak what I do know.
You all did love him once, not without cause:
What cause withholds you then, to mourn for him?
O judgment! thou art fled to brutish beasts,
And men have lost their reason. Bear with me;
My heart is in the coffin there with Caesar,
And I must pause till it come back to me.

Source: “Julius Caesar” by William Shakespeare, Act 3, Scene II. Plutarch’s Parallel Lives. Graphic: Marlon Brando as Mark Antony in the 1953 film “Julius Caesar”