On the evening of the 18th of April 1775 Paul Revere galloped through the countryside of Massachusetts to warn the populace that British were coming by water: one if by land, two if by water.
The next day the British, after crossing the Charles River from the Boston side, marched on Concord to try and capture colonial military supplies that had been stored there. The patriots knew of the British plans and moved most of their military equipment elsewhere.
The British had to pass through Lexington as they marched their way to Concord. The first shots between the British and Americans were fired at sunrise at Lexington, signaling the beginning of the Revolutionary War. After a minor skirmish in Lexington the British continued on their way to Concord.
The British marched to Concord with 700 troops and the Americans were eventually able to muster about 3500 militiamen although they only had about 77 at Lexington. During the Battles of Lexington and Concord on that day the British suffered 273 losses and the Americans 95.
Source: History.com and “The Many Rides of Paul Revere” by James Giblin published 2007. Photo of a painting showing Paul Rever’s Midnight Ride by Office of War Information http://www.archives.gov.
Picasso was recognized as a child prodigy at a very young age. He began to paint with oils when he was eight and by the time he was thirteen he was selling his work. At the age of fourteen, he was admitted to the prestigious Barcelona art school: La Lonja. At the age of fifteen he made his official entry into the professional art world, presenting the painting, “The First Communion” shown to the right, at the Third Exhibition of Fine Arts and Artistic Industries in Barcelona.
“Science and Charity” shown to the left is one of Picasso’s most accessible paintings. He painted it in 1897 at the age of 15. This painting was the culmination of his academic studies and he soon after abandoned this style in pursuit of a more personal, albeit inscrutable, approach to art.
Source: Picasso by Carsten-Peter Warncke. Published 2001. Original publication 1998.
“Happy families are all alike; every unhappy family is unhappy in its own way.” So begins Leo Tolstoy’s epic 19th century Russian novel, Anna Karenina. A beginning line that is not only one of literature’s great openings, but it indubitably stages an existential story that transcends time, culture, and humanity: a diegesis of love and misery.
Love and misery where mental and societal control is lost to emotional need. When Anna’s lover, Vronsky, pleads with her to respect her mother’s needs and his duty, she snaps, “Respect was invented to cover the empty place where love should be. And if you don’t love me anymore, it would be better and more honest to say so.” (chapter 24)
Anna Karenina through time has consistently ranked as one of the greatest novels ever written. Encyclopaedia Britannica lists it as the number one novel of all time.
Sources: Leo Tolstoy, Anna Karenina, serialized in 1875, published in book form in 1878. Plath et al, The 100 Greatest Literary Characters, published in 2019. Enclyclopaedia Britannica, 12 Novels Considered the “Greatest Book Ever Written”, by Jonathan Hogeback.
Aleksey Kolesov, “Portrait of a Young Woman” (Anna Karenina), 1885. Public domain, via Wikimedia Commons
Her hair is Harlow gold Her lips sweet surprise Her hands are never cold She's got Bette Davis eyes
Bette Davis Eyes. By Donna Weiss and Jackie DeShannon
In 1503 Leonardo da Vinci ended his association with the murdering and duplicitous Cesare Borgia, meaning he was again without a patron or in today’s vernacular; unemployed and without income. Likely, through a paternal connection, familial duty, and the need for money, he agreed to take a commission from a silk merchant to paint his 24-year-old wife: Lisa del Giocondo nee Gherardini.
He posed her in a seated, half-length, unconventional three-quarter portrait view with a typical Leonardo background of winding rivers, mountains, and misty sky. Her enigmatic smile and follow-you-anywhere eyes are the subject of endless discussions and debates. He employed his now famous, delicate blending of colors with soft edges; “sfumato”, and his almost transparent layering to create what is now considered the archetypical Renaissance art form, and the world’s most famous and valuable painting. Some estimates place the value of the painting somewhere north of one billion dollars.
In predictable fashion, Leonardo never finished the painting. He began the painting in 1503, as confirmed by a margin note in a book dated to that year, and continued working on it until he died in France in 1519 at the age of 67. If you look closely at the painting, you will notice that Lisa does not have any eyebrows or eyelashes although modern science has detected them as being originally there. It is believed that they were removed over time by repeated cleanings, but it is just as likely Leonardo overpainted them with the intent of painting them back on at some later date.
The painting is now on display in the Louvre, having been purchased by the King of France, Francois I, Leonardo’s final patron, shortly after the painter’s death.
Source: Leonardo da Vinci by Walter Isaacson. Published 2017.
It was the year without summer. During the year 1816, temperatures in Europe were the coldest of any recorded between 1766 and 2000. Across the pond in New England frost occurred every month of the year and six inches of snow fell in June. Crops failed, food was scarce, and people died unpleasantly premature.
There was no summer that year because in 1815 the Indonesian volcano, Mount Tambora, had a fit and blew its top, more or less straight up into the stratosphere. The amount of material injected into the upper atmosphere blocked the sunlight and caused global cooling.
Meanwhile, not to let bad weather forestall important matters, Lord Bryon while vacationing in Geneva, challenged his two companions, Percy Shelly, and Mary Godwin, the soon to be Mary Shelly, to a contest of who could write the best ghost story. Lord Bryon and Percy soon abandoned the project, but Mary persevered and published her Frankenstein two years later, giving birth to the monster with no name, countless movies, myths, legends, and frightful nights for children everywhere.
In the tenth chapter of her epistolary novel, Frankenstein, or The Modern Prometheus, we finally meet her fictional monster to learn not only that it lives, but it also speaks grammatically correct King’s English. Shelly cast her monster as Lucifer from the pages of Milton’s Paradise Lost. The monster, addressing its creator, Victor Frankenstein, speaks of profound loneliness, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.”
In the end the monster wishes to die but the author leaves those matters in the reader’s hands.
Sources Frankenstein by Mary Shelly. First published in 1818. The 100 Greatest Literary Characters by Plath et al, published 2019. Cover from a 2012 edition of Frankenstein shown below.
Directed by: Denny Tedesco (Son of 1960s session musician Tommy Tedesco)
Music by: Everyone
Cast: James Taylor, Carole King, David Crosby, Keith Richards, Linda Ronstadt, Jackson Browne, Don Henley, Stevie Nicks, Warren Zevon, Phil Collins, Lyle Lovett, Steve Jordan, Neil Young, plus the band
Film Locations: USA
Budget: –
Worldwide Box Office: $66,100
Some of the greatest rock and pop session and touring musicians ever come together after 50 years of playing for others to play as family. The Immediate Family is Danny Kortchmar on guitar and vocals, Russ Kunkel on drums, Steve Postell on guitar and vocals, Leland Sklar on bass, and Waddy Wachtel on guitar and vocals.
This documentary follows the musicians from their beginnings in the 1970s as studio musicians that decided to take their talent on the road. In the past the studio guys backed the stars and helped them get their music to the market and that was it. Studio guys didn’t go on the road because when they got back someone else would have taken their job. Going on tour is something session musicians just didn’t do until Danny, Russ, Steve, Leland, and Waddy came along. They were so good that the artists asked for them and the studios went out and brought them in.
They have just released their second studio album, Skin In the Game, on 16 February 2024 through Quarto Valley Records. Skin in the Game weighs in with 14 tracks, 13 originals plus a cover by the Sparks’: “The Toughest Girl in Town”. It is a wonderful addition to their first eponymous named album/EP.
If you followed rock and pop through the seventies and onward you heard these guys play, you just may not have known who they were; until now.
While waiting for Dune Part 2 I’ve been catching up on Josh Brolin movies. This is a don’t blink movie. There are enough jigsaw pieces to the plot that it takes almost till the end of the movie to put all the pieces back together and it is likely that a few pieces will remain hidden under the table, because well, you blinked.
Plot synopsis: Chinatown meets Big Lebowski. Inherent Vice comes in third.
Definition of Inherent Vice for the curious:
Inherent vice, aka a latent defect, refers to a natural characteristic of goods or property that can cause them to deteriorate, become damaged, or spoil. Insurance companies typically exclude coverage for losses resulting from this inherent quality or defect. Here are some examples where an inherent vice exclusion would apply:
Books: If books deteriorate due to acid in the paper from the manufacturing process.
Film: When film deteriorates over time due to instability of the chemicals it contains.
Food: If food deteriorates due to improper storage temperatures.
Grain: Spontaneous fermentation or combustion of improperly dried grain.
In essence, inherent vice is a hidden flaw or characteristic that makes the item an unacceptable risk for carriers or insurers. It is usually an insurance exclusion for marine policies.
Leonardo, dreamer, artist, and scientist; Cesare Borgia, Cardinal, murderer, duplicitous tyrant; and likely subject of Niccolo Machiavelli’s book: The Prince, were holed up together for three months during the Renaissance winter of 1502-1503 in the five blocks by eight blocks Italian walled garrison town of Imola.
According to Walter Isaacson in his 2017 “Leonardo da Vinci” biography he states that, “While he was in Imola with Machiavelli and Borgia, Leonardo made what may be his greatest contribution to the art of war. It is a map of Imola… It is a work of beauty, innovative style, and military utility…Drawn in ink with colored washes and black chalk… The aerial view is from directly overhead, unlike most maps of the time. On the edges he specified the distances to nearby towns, useful information for military campaigns…”
Cesare Borgia (1475-1507), backed by his father Pope Alexander VI, was on a military campaign to carve out his own personal princedom, by hook, crook or force. He had moved his court to Imola to further plans for his conquest of the area. Leonardo da Vinci (1452-1519) was there because he had signed on as Borgia’s chief military engineer. Leonardo’s task was to reinforce castles and defenses in the region and construct new military machines based on his notebook designs such as his rapid-fire projectile weapon, armored car, helicopter, and giant crossbows; none of which were ever built in his lifetime. Niccolo Machiavelli (1469-1527), was dispatched by the Florentine authorities as a diplomat to discern Borgia’s intentions towards the city and dissuade him, if possible, from attacking Florence.
As an aside, Friedrich Nietzsche (1844-1900), German philosopher and critic, introduced the concept of Ubermensch: an idealized individual who transcends conventional morality and societal norms. Nietzsche elevated Borgia to this lofty status. Borgia’s daring, ruthlessness, and strategic cunning seemed to align with the philosopher’s ideals of a powerful individual who creates his own fate. Many have split hairs with Nietzsche’s concept of Ubermensch but when one creates his own morality it is hard to distinguish the end result from that of a psychopath.
Shown above is Leonardo’s map of Imola drawn in 1502-03. Public domain.
Shown above right is a Friedrich Nietzsche, circa 1975. Photo by Friedrich Hartmann. Public domain.
“I’ll chase him round Good Hope, and round the Horn, and round the Norway Maelstrom, and round perdition’s flames before I give him up.” – From Chapter 36-The Quarter-Deck of Melville’s Moby Dick. Published 1851.
FootNoteA
“Some know him by his peg leg…Others by the white scar that runs head to toe, the result of an unfortunate encounter witha lightning bolt. Still others by his entourage of harpooner henchmen with names like Fedallah, Daggoo, Tashtego, and Queequeq.
Mostly, readers know him because he’s shorthand for any intense, self-destructive fixation…
He, of course, is Captain Ahab…”
Excerpt from “The 100 Greatest Literary Characters”. By Plath, Sinclair, and Curnutt. 2019.
FootNoteB:
The book also has one of the great opening lines in all of literature: “Call me Ishmael.” The narrator introduces himself to the reader in three words. How simple and straightforward can one get? In a few more lines he sets the stage for how he will tell his story. “With a philosophical flourish Cato throws himself upon his sword: I quietly take to the ship.”
FootNoteA: Illustration of the final chase of Moby-Dick. By I.W. Taber. 1902. In Moby-Dick. Charles Scribner’s Sons, New York. Public Domain.
FootNoteB: Illustration below from an early edition of Moby Dick – 1892. C.H. Simonds Co. Public Domain.
Oh, when I look back now
That summer seemed to last forever
And if I had the choice
Yeah, I'd always wanna be there
Those were the best days of my life
Song written by Bryan Adams/Jim Vallance - Summer of 69 - Reckless album - Released 1985
BradburyBiography:
“All education is self-discovery.” Bradbury
Ray Bradbury, 1920-2012, was an American treasure, an exceptionally talented and prolific writer in multiple genres that included science fiction, horror, and mystery but his passion lay in the field of fantasy. He felt that fantasy, by his definition, was “a depiction of the unreal“. He took inspiration and pleasure from the fantastical works of Poe, Wells, and Verne and spent a lifetime mining his imagination for the unreal. Fantasy was where he could not only “create myths for the future” but warn society of the dangers of technology and conformity. In his words: “to prevent the future.”
FootnoteA
Bradbury was born in Waukegan, Illinois, a small town of 20-30 thousand people, at the time, north of Chicago, and came of age there during the Great Depression. It was a time when the future was murky, and he said he needed his imagination to see through the gloom. That imagination was fruitful and varied.
His writing was packed full of social commentary, especially Fahrenheit 451, but more on that in a bit. He wrote about the unreal side of the present but with an eye to the future. His prescient vision alerted us 75 years ago about the evils that will come from a monoculture dispensed from the organs of mass media and technology. He was afraid that it would keep society passive and ignorant. And ignorance has come to pass.
Bradbury never drove a car, but he did ride in them, he did not board a plane, heights bothered him, until he was in his sixties, and he never used a computer. He thought the internet was useless, perfectly encapsulating a flaw, maybe the major flaw in science fiction: predicting the future is hard and mostly wrong. Machines didn’t interest him but when he wrote about them, he just made it up as he went.
He initially corrected people when questioned about his “science fiction” writing, “I don’t write science fiction” he insisted. “I write fantasy. Fantasy is a depiction of the unreal.” In later interviews when referred to as a science fiction writer he just graciously accepted it and moved on. Science fiction he also said was “a depiction of the unreal but with an attempt to be faithful to reality.” He didn’t want to be faithful to reality. He stated that of all the stories he wrote, and it’s believed that there were more than a thousand of them, no one seems to be able to add them all up, Fahrenheit 451 is the only true science fiction he ever wrote. It not only has withstood the test of time as a classic piece of sci-fi literature, but it also was rendered into two motion pictures in 1966 and 2018. The former was only marginally bad with the latter being just flat out bad, proving the point that low budget sci-fi does not win any awards in Hollywood or with audiences.
FootnoteB
Bradbury made his mark in the literary world with The Martian Chronicles, a collection of loosely connected short stories released in 1950. The book chronicles the settlement of Mars, the home of Martians by Americans fleeing an Earth falling into a hellish abyss.
During the height of the second Red Scare beginning in 1947, Bradbury warned of government censorship with his fourth and possibly his greatest novel, Fahrenheit 451. The story initially appeared in book format in 1953 and was reprinted in the nascent publication Playboy in 1954. Fahrenheit 451 is the story of firemen not putting out fires but starting them. They burn books, and buildings with books to keep people ignorant and thus obedient. An obedient population was not a threat to the government.
Dandelion Wine:
FootnoteC
Dandelion Wine is Bradbury’s fifth novel and his most intimate creation. It is a loose collection of forty-nine semi-autobiographical short stories detailing a 12-year-old boy, Douglas Spaulding and his 10-year-old brother Tom, trying to stretch out the summer of 1928 into a never-ending triumph of pubescence experience in small town America.
In a 1974 introduction to Dandelion Wine, titled Just This Side of Byzantium…, Bradbury writes: “…Waukegan was Green Town was Byzantium with all the happiness that that means, with all the sadness that these names imply. The people there were gods and midgets and knew themselves mortal and so the midgets walked tall so as not to embarrass the gods and the gods crouched so as to make the small ones feel at home…Here is my (Bradbury’s) celebration,then, of death as well as life, dark as well as light, old as well as young, smart and dumb combined, sheer joy as well complete terror written by a boy who once hung upside down in trees, dressed in his bat costume with candy fangs in his mouth, who finally fell out of the trees when he was twelve and went and found a toy-dial typewriter and wrote his first ‘novel’.”
FootnoteD
About half of the chapters in the book were initially published, starting in 1946, as short stories in magazines such as Weird Tales (The Night), Charm (The Green Machine), and The Saturday Evening Post (The Happiness Machine). In 1957 all the stories were brought together into the book, Dandelion Wine. The title refers to Douglas’s grandfather making wine every summer from the petals of dandelions. Bradbury used the title as a metaphor for cramming all the joys and happenings of summer into one bottle. Or one book.
As a testament to the lasting appeal of the book, the 1971 crew of Apollo 15 named a lunar crater Dandelion. In 1986, as a testament to Bradbury’s lasting appeal as a writer, an asteroid was named after him called 9766 Bradbury.
And finally, in a 2010 interview with Universe Today a few years before his death, in reference to being buried on Mars, he said: “I don’t want to be the first live person to arrive there,” he said. “It’ll be too late. But I want to be the first dead person that gets there. I want to arrive in a Campbell’s soup can. Bury me on Mars in (a) thing called the Bradbury Abyss. They gotta name a place on Mars for me, and I will welcome that.” Maybe Elon Musk can help with this.
FootnoteE
Literary Criticism:
Ray Bradbury writes poetry as prose. Natural and chatty prose. Prose rich in explanation, metaphor, and image. Prose that is a joy to read, planting scenes in your mind that grow into a picture worthy of Raphael’s Triumph of Galatea.
Dandelion Wine is the extraordinary time in a boy’s life where innocence, friendship, and happiness occur without the weight of the substantial and ponderous adult years.
Read the snippet below from chapter 29 of Dandelion Wine, Summer’s Ice House and tell me you do not feel the chill.
Deep in winter they had looked for bits and pieces of summer and found it in furnace cellars or in bonfires on the edge of frozen skating ponds at night. Now, in summer, they went searching for some little bit, some piece of the forgotten winter...Summer’s Icehouse on a summer day! They said the words, laughing, and moved to peer into that tremendous cavern where in fifty, one-hundred, and two-hundred-pound chunks, the glaciers, the icebergs, the fallen but not forgotten snows of January…
Dandelion Wine is a masterpiece of prose, of imagination, and fantasy.
Bradbury Literary Awards:
World Fantasy Award for Life Achievement 1977
Prometheus Award for Fahrenheit 451 1984
Bram Stoker Award for Lifetime Achievement 1989
P.V. Helmerich Distinguished author Award 1994
Emmy Award for The Halloween Tree 1994
First Fandom Hall of Fame Award 1996
Science Fiction and Fantasy Hall of Fame Inductee 1999
Medal for Distinguished Contribution to American Letters 2000
