Don’t Stop Me Now

Venom: The Last Dance: Eddie (Tom Hardy) and Venom (Tom Hardy), together again, possibly for the last time, battle Symbiotes from Venom’s home planet of Klyntar. Supervillain Knull has sent the Symbiotes to collect Eddie and Venom’s Codex. The Codex will free Knull from his prison, originally created by the Symbiotes long ago. Now, they will help to release him. It’s complicated.

Tom Hardy and his symbiotic, parasitic alter-ego, Venom, make the movie worthwhile. Everything else feels like underemployed extras earning points for existing, about as entertaining as toothpaste attempting an exit from a spray bottle, except for Martin (Rhys Ifans). Martin was a fun diversion.

As with the first two movies, it is worthwhile sitting through the credits. Somewhere between the listing of Executive Producers, Producers, Producers of Second Worth, Producers of Wind, and the Second Gaffer from the Last Good Gaffer, there is a hint of what can be, unburdened by what has been—although Hardy has said maybe not never again, so what can be, may have to be burdened by what has been.

Trivia: “Don’t Stop Me Now”by Queen is played while Venom infests a horse and gallops, with Eddie riding on top, at incredible speed, to get to Area 51.

Genre: Action—Adventure–Comedy—Fantasy—Sci-Fi–Thriller

Directed by: Kelly Marcel

Screenplay by: Tom Hardy, Kelly Marcel

Music by: Dan Deacon

Cast: Tom Hardy, Rhys Ifans

Film Location: Cartagena, Spain

ElsBob: 6.0/10

IMDb: 6.0/10

Rotten Tomatoes Critics: 41%

Rotten Tomatoes Popcornmeter: 81%

Metacritic Metascore: 41%

Metacritic User Score: 5.9/10

Theaters: 21 October 2024

Runtime: 109 minutes

Budget: $120 million

Box Office: $476.4 million

Source: Screen Rant, Rotten Tomatoes, IMDb, Metacritic. Graphic: Venom: The Last Dance Trailer, copyright Columbia Pictures/Sony Pictures.

Ground Control to Major Tom

Space Oddity,” David Bowie’s ode to the loneliness of space, framed as a conversation between ‘Major Tom and Ground Control’, was released in July 1969, nine days before Apollo 11 landed on the moon. Bowie didn’t draw inspiration from the moon landing but rather from Stanley Kubrick’s 1968 film “2001: A Space Odyssey.” However, the song was rushed through the production process to capitalize on the American moon shot.

While watching the movie in the theater in 1968, Bowie related to Classic Rock in 2012 that, “It was the sense of isolation I related to. I found the whole thing amazing. I was out of my gourd, very stoned when I went to see it – several times – and it was really a revelation to me. It got the song flowing.

The song reached #5 on the charts in the UK but only made a slight blip in the US, peaking at #124 on the Billboard Hot 100. As Bowie’s fame increased in the next couple of years, RCA re-released the 1969 album and the song as a single, leading it to rise to #15 in the US on the Billboard Hot 100.

The attached video is Canadian astronaut Chris Hadfield’s rendition of the song that he recorded aboard the International Space Station in 2013. With permission from Bowie, he updated the lyrics slightly to reflect current circumstances. The song was the first music video made in space and the first use of an acoustic guitar in space.

Trivia:

  • During the launch of Musk’s Falcon Heavy, with a Tesla Roadster aboard, the car’s sound system was said to be looping the Bowie songs “Space Oddity” and “Life on Mars?”
  • Kubrick’s film 2001: A Space Odyssey drew inspiration from Arthur C. Clarke’s novel of the same name, but also from Clarke’s earlier short stories, particularly “The Sentinel” and “Encounter in the Dawn,” both published in the early 1950s.

Source: David Bowie.com. Where is Telsa Roadster.space. Graphic: Space Oddity by Chris Hadfield, 2013.