James Suckling 94, Gismondi 92, Wine Enthusiast 92, Cellar Tracker 92, Robert Parker 90, Wine and Spirits 89, ElsBob 89
ABV 14.5%
A very dark ruby, purple hue wine with aromas of black fruits. On the palate more of a red fruit, cherry flavor, with a little spice, mainly pepper. High in acidity and tannins, medium-full bodied, with very little balance. Fortunately, the finish is short. To help smooth out the acidity and tannic nature of this wine try it with aged cheeses such as Gouda or tomato-based dishes like pasta or pizza.
A very good fine wine overpriced at $19. If you can find it under $12 give it a try. Current prices range from about $28-65. A decent wine but far below Stags’ Leap quality reputation. I’m surprised they put their label on this one.
Trivia: Stag’s Leap Winery is located along the Silverado Trail in Napa Valley. The trail originally built in 1852, links the cinnabar mines (HgS, mercury sulfide) on Mount St. Helena in the north to San Pablo Bay, the estuarine gateway to San Francisco Bay; natural bookends to the valley. In addition to abundant mercury deposits, the mines also yielded silver, sparking a short-lived silver rush beginning in 1858.
Highwayman Black Bart preyed on stagecoaches along the trail in the 1880s, adding to the outlaw mystique of the region, and inspiring a minor character in The Simpsons. The non-Simpson Bart left rhymed messages at the scene of his robberies earning the moniker ‘The Poet Bandit.’ He was captured in 1883 and served 4 years in San Quentin, regrettably missing Johnny Cash’s concert by about 81 years.
In 1880, Robert Louis Stevenson honeymooned in Napa Valley with his wife Fanny, spending the summer squatting in an abandoned bunkhouse at the Silverado Mine (a spendthrift, to be sure–actually, he was broke, destitute, poor, penniless, and sick), on the slopes of Mount St. Helena. The experience led to his travel memoir The Silverado Squatters, which, while not a blockbuster, did manage to sell enough to justify a second printing. Interestingly, it can still be purchased from independent publishers. It’s a short book of about 100+ pages. Give it a read and compare it with the Bermuda travelogues of his contemporary, Mark Twain.
Bilbo’s goodbye at his 111th birthday party:“I don’t know half of you half as well as I should like, and I like less than half of you half as well as you deserve.”
Oscar Wilde, a virtuoso for expressing dripping contempt. “Some cause happiness wherever they go; others whenever they go.”
Dorothy Parker, a sharp tongue and deceptive digs, “If you want to know what God thinks of money, just look at the people He gave it to.“
Mark Twain, a master of eye pokes, “I didn’t attend the funeral, but I sent a nice letter saying I approved of it.”
The adage, History doesn’t repeat itself, but it often rhymes, or less succinctly, historical, and current events may not unfold in the same manner, but they often follow similar patterns or themes. As an example, the rise of authoritarianism usually follows, and rhymes, with the erosion of democratic norms, intolerance of dissent, animosity towards religious or ethnic minorities, economic instability, isolation of true democratic countries, and war.
This quote is often attributed to Mark Twain but no collaborating evidence for him saying exactly this has ever been found. He did say something similar, in a novel he wrote with Charles Warner, the 1874 The Gilded Age: A Tale of To-Day that “History never repeats itself, but the Kaleidoscopic combinations of the pictured present often seem to be constructed out of the broken fragments of antique legends.” The quote in its entirety is sentence that Twain could never write, it had to have come from his co-author.
Austrian American psychoanalyst Theodor Reik, a student of Freud, published an essay in 1965, “The Unreachables” where he wrote: It has been said that history repeats itself. This is perhaps not quite correct; it merely rhymes. There are recurring cycles, ups and downs, but the course of events is essentially the same, with small variations. It has been said that history repeats itself. This is perhaps not quite correct; it merely rhymes.
Regardless of whomever said, History doesn’t repeat itself, but it often rhymes were astute observers of history and life.
Source: Quote Investigator, 2014. Graphic: Publicity photo of Reik, 1920s, public domain.
James Fenimore Cooper died in 1851 at the age of 61 in Cooperstown, New York, a small town founded by his father, William Cooper in 1785. The city is located on the southern edge of Otsego Lake which means ‘Place of the Rock’ in the Mohawk language and Glimmerglass in his novel ‘The Deerslayer‘.
Cooper, the eleventh of twelve children, after his first birthday spent his pre-teen years in Cooperstown. He was enrolled at Yale University when he was thirteen and expelled for dangerous mischief at 16 without obtaining a degree. He crewed a merchant ship at the age of seventeen and sailed across the Atlantic to London and down along the Spanish coast into the Mediterranean. In 1808 he joined the U.S. Navy and spent the next two years serving aboard inland lake gunboats and preforming recruiting duties. He resigned his commission in the navy in 1810 for the lack of excitement. (In life where timing is everything, the British naval blockade of American trade during the war of 1812 may have provided Cooper with some needed excitement.) In 1811 he married a wealthy heiress, Susan Augusta de Lancey and settled down to life of leisure for the next decade.
In 1820, after ten years of dabbling in various occupations, more as hobbies rather than employment, he decided to take up writing, producing his first novel, a poor imitation of Jane Austin novels, ‘Precaution’ in the same year. His second novel ‘The Spy‘ was more successful and gave him a measure of fame and wealth, enough to encourage him to continue his pursuit as a novelist and writer.
His first ‘Leatherstocking’ novel. ‘The Pioneers‘ appeared in 1823 followed by the second ‘Leatherstocking’ novel, ‘The Last of the Mohicans‘ in 1826. ‘The Last of the Mohicans‘ is considered his greatest triumph as an author from the time it was written to the present day and has been adapted to film many times over the last one hundred years.
As a testament to his success as a writer, after two centuries almost all his fictional novels are still in print.
The Deerslayer:
‘The Deerslayer‘, first published in 1841, was the fifth and final volume of the ‘Leatherstocking‘ historical romantic novels by Cooper. In ‘The Deerslayer‘ the author brings the protagonist of the ‘Leatherstocking‘ series, Natty Bumppo, back from the future as a prequel to the first four novels. Running in the background to the story is the French and Indian Wars, setting the stage and providing context for the action and dialogue occurring on and around Otsego Lake known as Glimmerglass in the novel.
Natty, referred to by his nicknames Deerslayer and Hawkeye, is a young 17th century moralistic American frontiersman living and traveling among the Iroquoian Mohawks, in what is now known as central upstate New York. Deerslayer has a strong innate sense of right and wrong from a civilized Christian perspective which he continually attempts to square and bridge with the less polished cultural tenets of his Indian brothers. To avoid moral conflicts with his adopted tribal brothers he focuses on the good in the red and, with a nod to cultural sensitivity, he internally closets any interpretive bad in the red as inconsequential. Deerslayer though, takes a less compromising position with his white brethren; admonishing them for traits and behaviors that diverge from his Christian grounding in what is right.
Cooper reinforces the inherent conflicts between good and bad by creating good Indians, Mohawks, and bad Indians, Mingos. The noble, liberated savage versus the evil, fearsome savage. In the end the white and red dissipate and all that is left is the perpetual struggle between good and evil.
Layered on top of Deerslayer’s sententious inclinations is a romance played out between Natty and the beautiful daughter of his traveling companion’s friend: Judith. Judith is slowly drawn to Deerslayer’s inherent goodness while Natty remains committed to his frontiersman bachelor ways. Another gap for the Deerslayer to bridge but in this instance, fails.
Literary Criticism:
‘The Deerslayer‘ received much critical praise from the time of publication onward into the 20th century. Author D.H. Lawrence found the book “one of most beautiful and perfect books…” Critic Carl Van Doren called novel “as a whole absorbing.” Wilkie Collins, author, said “Cooper is the greatest artist in the domain of romantic fiction yet produced in America.” Critic Lounsbury proclaimed that ‘The Pathfinder‘ and ‘The Deerslayer‘ “were pure works of art.”
Not all criticism was positive. Mark Twain supposedly found it dreadful and wrote ten pages explaining his thesis in the aptly titled: ‘Fenimore Cooper’s Literary Offenses‘. As is his want and style, Twain’s account of Cooper’s offenses was exceptionally funny though I’m less than sure if he was serious in his criticisms or if he just saw an opening to throw a few well-constructed barbs to help pay the bills and meet contractual obligations. An excerpt from the opening to ‘Fenimore Cooper’s Literary Offenses‘:
“Cooper’s art has some defects. In one place in ‘Deerslayer‘, and in the restricted space of two-thirds of a page, Cooper has scored 114 offences against literary art out of a possible 115. It breaks a record.
There are nineteen rules governing literary art in the domain of romantic fiction–some say twenty-two. In ‘Deerslayer‘ Cooper violated eighteen of them….”
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