Love, Class, and Money

Framley Parsonage, by the Victorian author Anthony Trollope, is the fourth novel in the six-part Chronicles of Barsetshire series. This series is set in the fictional county of Barsetshire in the English countryside and details the social entwinings of the gentry, rich mercantile classes, clergy, and occasionally what we would today refer to as the comfortable middle class. The novels, which can be read in any order, revolve around themes of maintaining social status, finding love, marrying well, and money. Hypocrisy, chicanery, and snobbish attitudes often create dilemmas that Trollope, in a winding but satisfying narrative fashion, concludes as the reader wishes.

Framley Parsonage specifically details the misadventures of the amiable but horribly naive vicar, Mark Robarts, who is a boyhood friend of Lord Ludovic Lufton. Through this friendship, Ludovic’s mother, Lady Lufton, installs Robarts in the Framley Parsonage with a sufficient salary to support his young family’s basic needs. Through a misplaced sense of ambition, Robarts attempts to further his standing in life by associating with a parliament member, charlatan, and aptly named Mr. Sowerby, bringing humiliation and disgrace upon himself.

Trollope displays an absolute sense of enjoyment in writing this novel, skewering the political class with an abundance of wit and satire, along with exploring four marriage sub-plots that he resolves with appropriately deserved denouements of happiness or the lack thereof.

Source and Graphic: Framley Parsonage by Anthony Trollope, Publisher Everyman’s Library, 1994.

Sticks His Nose In

Lucius, the protagonist of the 2nd century AD Latin novel The Golden Ass, cannot suppress his curiosity nor stop meddling in the dark arts of spells and magic. Attempting to flee from the troubles resulting from his inquisitiveness, he accidentally uses the wrong ointment and turns himself into a donkey rather than a bird. This error leads to a series of comical and mostly bawdy misadventures as a beast of burden, who is thoroughly abused and misused due to his intemperate habit of sticking his nose in.

The story, written by the Roman author and philosopher Lucius Apuleius, who hailed from a Roman province in what is now modern-day Algeria, is characterized as a romance—not in the modern Harlequin sense, but in the Greek meaning of a Milesian tale. A Milesian tale consists of a series of adventurous stories, usually short, humorous, and erotic—a romantic narrative for the ancients.

The translator of The Golden Ass, Joel C. Relihan, takes the meaning of a Milesian romance a step further into what Northrop Frye described as secular scripture. Relihan states that the romance in The Golden Ass is: “A survivor’s tale of descent into a nightmare world of loss and eventual recovery of identity.”

Lucius loses his identity, becoming ludicrous and expendable. But in the end, he prays for salvation, which he receives from the goddess Isis. Ultimately, he is initiated into the secrets of the gods. His transformation from misfortune to enlightenment and spiritual fulfillment is, in the end, the ultimate story of a lived life—a maturing into old age with illuminated and learned experience leading to peace and grace.

Trivia: The Golden Ass has been known by various names, including the author’s title, Metamorphoses, Asinus Aureus (a Latin name which translates to “Golden Ass”), The Metamorphosis of Lucius, and the modern title: The Golden Ass or A Book of Changes.

Source: The Golden Ass by Apuleius. Oxford Bibliographies. Graphic: The Golden Ass Book Cover, Hackett Publishing, 2007.

Heavy

Mission of Gravity

By Hal Clement

Illustrations: Vincent Di Fate

Easton Press

Copyright: © 1987

Original Publication Date: 1954

AmazonPicture

Di Fate Biography:

FootNoteA

Vincent Di Fate, born 1945 in Yonkers, is a New Yorker and American artist known for his depictions of science fiction, fantasy, and realistic space art. He has an MA from Syracuse University.

People Magazine noted the Di Fate is, “one of the top illustrators of science fiction…” His specialty is imaging technologies and environments in the nether regions of space and the universe. His clients include NASA, IBM, Scientific American, and The National Geographic Society. James Lizowski, Omni Magazine critic, noted that Di Fate, “combines the skills of a masterful painter with the fierce demand of an uncompromising artist to create visions of the future that are precise, powerful, and dazzling to the eye“. 

His numerous awards include the: Hugo, Sklark, Lensman, Chesley, and Rondo Awards, among others for illustration of science fiction and fantasy subjects. He was inducted into the Science Fiction Hall of Fame in 2011 and the Illustrator’s Hall of Fame in 2019. He has consulted for MCA/Universal, 20th Century Fox, Walt Disney, MGM/United Artists.

Di Fate has also written three books and is currently working on his fourth. His second book Infinite Worlds was the first comprehensive history of science fiction art in America. Listed below are some of the books of fiction he has illustrated. Additionally, he has illustrated hundreds of sci-fi and fantasy book covers in his four decades as an artist.

Di Fate Book Illustrations (Partial):

  • 2001: A Space Odyssey by Arthur C. Clarke
  • Prelude to Foundation by Isaac Asimov
  • The Demolished Man by Alfred Bester
  • The Fabulous Riverboat by Philip José Farmer
  • The Dark Design by Philip José Farmer
  • The Magic Labyrinth by Philip José Farmer
  • The World of Null-A by A.E. van Vogt
  • Rules of Engagement by Elizabeth Moon
  • The Time Traders by Andre Norton
  • The Godmakers by Frank Herbert

Di Fate Bibliography:

  • Di Fate’s Catalog of Science Fiction Hardware 1980
  • Infinite Worlds: The Fantastic Visions of Science Fiction Art 1997
  • The Science Fiction Art of Vincent Di Fate 2002

Clement Biography:

Human beings are prone to believe the things they wish were true.” – Hal Clement

Hal Clement, born in 1922, in Massachusetts, passing away in 2003, was an American science fiction writer and a leader of the hard science fiction subgenre. Hard science, as it was defined in 1957 by P. Schuyler Miller, is characterized by scientific accuracy and logic. Hard science fiction is strongly rooted to known physical laws in the natural universe. In an interview with “The Science Fiction Radio Show” in the early 1980s Clement said that he had “…trouble writing something unless, I can, more or less convince myself it might happen.” In the old days before computers, he was known to whip out his slide rule and run through the calculations to make sure his stories passed the law of physics test.

FootNoteB

Clement received a degree in astronomy from Harvard University in 1943, an M.Ed. from Boston University in 1946, and eventually an M.S. in chemistry from Simmons College in 1963. He was a B-24 Liberator, a heavy bomber, pilot during WWII, flying combat missions over Europe, finishing his Air Force career after the war in the Air Force Reserve, retiring as a colonel. He taught astronomy and chemistry at the high school level in Massachusetts.

Clement while working towards his B.S. at Harvard wrote and published his first piece of science fiction, a short story called “Proof“. The story first appeared in a 1942 issue of Astounding Science edited by his mentor John W. Campbell. Campbell was known as the leader of the hard science wing of the science fiction genre which Clement admits affected his writing standards. Clement’s first three novels were Astounding Science serials under Campbell: Needle in 1950, Iceworld in 1953, and Mission of Gravity, his best-known novel, in 1954. Clement followed up Needle and Mission of Gravity with the sequels: Through the Eye of a Needle in 1978 and Star Light in 1971, respectively. He also wrote two additional short story sequels for Mission of Gravity: Lecture Demonstration in 1973 and Under in 2000.

In addition to his writing, Clement also painted astronomically oriented artworks under the name George Richard. In 1998, he was inducted into the Science Fiction and Fantasy Hall of Fame and was named the 17th SFWA Grand Master by the Science Fiction and Fantasy Writers of America in 1999.

Hal Clement wrote over 120 novels, novellas, short stories, and collections. Below is a listing of just his novels.

Clement Bibliography (Novels Only, Shorter Fiction not Listed):

  • Needle 1950
  • Iceworld 1953
  • Mission of Gravity 1954
  • The Ranger Boys in Space 1956
  • Cycle of Fire 1957
  • Close to Critical 1958
  • Natives of Space 1965
  • Star Light 1971
  • Left of Africa 1976
  • Through the Eye of a Needle 1978
  • The Nitrogen Fix 1980
  • Intuit 1987
  • Still River 1987
  • Fossil 1993
  • Half Life 1999
  • The Essential Hal Clement, Volume 1: Trio for Slide Rule and Typewriter 2007
  • The Essential Hal Clement, Volume 3: Variations on a Theme by Sir Isaac Newton 2007
  • Heavy Planet 2002
  • Noise 2003
  • Hal Clement SF Gateway Omnibus 2014

Mission of Gravity:

Mission of Gravity was first published in serialized form in The Astounding Science Fiction Anthology of 1953 with the hardcover coming out in 1954 followed by the paperback in 1958.

The story takes place on the planet Mesklin, an object thought to be in the 61 Cygni system, eleven light years from Earth. Mesklin is a super-giant bowl-shaped planet, flattened at the poles, an oblate spheroid, with an extreme rotation that allows for 18-minute days or approximately 9 minutes of daylight. The high spin rate creates gravity that equals about 3g at the equator and 700g at the poles. Clement eventually re-calculated the gravity over the planet and changed the polar regions to 200g. For comparison purposes the Sun has a gravity of 28g or 28 times that of Earth.

Earth has sent a probe to Mesklin to study its extreme gravity and other matters of value, but it became stranded in the high gravity areas of a pole ruling out a rescue by a human team. Earth wants to recover the probe at all costs to learn what secrets it contains.

The planet is populated by an intelligent species of centipedes that come in assorted sizes, but the ones be-friended by the Earth visitors are about three feet long. An Earth spacemen, Charles Lackland travels to the equator of the planet where he can just manage the 3g environment and meets Barlennan a captain of a sailing raft named the Bree. The Bree and its crew are on a trading voyage in the equatorial areas making a profit by bartering goods from isolated populations all over the planet. After Barlennan learns English, a deal is arranged for him and his crew to retrieve the probe at the poles and return it to the equator where the humans can pick it up. So begins the centipedes’ journey to the pole.

Literary Criticism:

As with all science fiction, Mission of Gravity suffers from futuristic technology that outdates itself in a few years. A quaint process in mapping the surface of Mesklin involves taking a series of high altitude photographs, displaying them of photo paper and trying to put them all together like a giant jig-saw puzzle. No GPS coordinates, no digital, just 1950 Earth tech and methodology. Leaving that aside though, the story is well worth reading. The science as presented is sound, mostly, the story telling and plot is a page turner, and the characterization of the alien’s life-forms is plausible and interesting. It will be worth your time and at 223 pages a quick read.

References and Readings:

FootnoteA: Di Fate Cover Art for Ron Goulart Collection. Broke Down Engine. Macmillan. 1967

FootnoteB: Hal Clement at the 14th World Science Fiction Convention. Cropped from a Larger Photo. Public Domain. 1956

Explorations 11: Victorian Authors

The Victorian Era produced some of the greatest literature the world has ever had the pleasure to read. Any list of the greatest books ever written always contains, or should, Dickens, Bronte, Eliot, and Conrad, who was Polish but wrote in English from England, with an occasional inclusion of Wilde, Hardy, Wells, Trollop, and Stevenson. Bibliophiles would not forget to include Stroker, Barrie, Thackeray, Butler (everyone should read the poorly titled ‘The Way of All Flesh’), and Carroll. Stretching the definition of Victorian, one could bring in the Russians Tolstoy and Dostoyevsky, Americans Twain, Poe, Cooper, and Melville along with the French authors Hugo, Flaubert, and Dumas.

Victorian literature is loosely defined as being written during the reign of Queen Victoria who ruled over the United Kingdom and Ireland for 63 years from 1837 to 1901, parenthetically, a reign exceeded in longevity only by Queen Elizabeth’s 70 years on the throne. The Victorian Era was bookended by the Industrial Revolution which ended around the 1840s and the beginning of the Technological Revolution that began in the 1870s and continued to the start of WWI. The era witnessed the beginning of the end of the labor intensive agricultural and mining sectors, with a subsequent weakening of the guild and manor systems. The hermetic British class system also sustained a permanent leak with the advent of a true middle class brought about by an unconstrained rise in economic fortunes and personal incomes.

All this brought about a renegotiation and a realignment of the social structures in place since the time of the pharaohs. Serfs and slavery gave way to agricultural innovations and the introduction of a managerial class in business. The existing economic and social fabrics were torn asunder with the way forward less than clear, but the status quo would not endure for long. The ensuing social upheaval provided a bonaza of topics and plots for the Victorian Era authors. Dickens wrote about poverty and children, Hardy plotted about morality and money, Trollop’s novels took on class and money, Emily Bronte took on immorality, class, and money, and Thackeray discussed hypocrisy. None of the subjects the authors approached were exclusive to their times, but in the Victorian age contrasts had sharp edges. Victorian times were either-or with little in between. Grey was tea, which incidentally dates to the Victorian Era.

Apologies for the preamble to this post which was meant to be just a listing of Victorian authors but somehow, I digressed into a brief discussion of 19th century all things British. The following table is a composite of other lists and sources dealing with Victorian authors, whether prose, poetry, or plays, fiction or non-fiction. The table below initially had additional information about the authors, but WordPress does not give the space needed to display them so squeeze the sides of table I did. Also, I initially was listing all authors, regardless of nationality, within the Victorian Era but that grew too large for web page. Finally, the “Best Sellers” column is subjective in that it may be the critics’ choice, or it may be based on current sales, and sometimes it’s just what I liked the most. As an example, the critics always list ‘Great Expectations’ or ‘The Tale of Two Cities’ as his best but I’ve always preferred ‘Oliver Twist’ and ‘A Christmas Carole’ which led me to list ‘Great Expectations’ and ‘A Christmas Carole’.

NameNationalityBornDied“Best Sellers” 
Ainsworth, William HarrisonEnglish18051882Windsor Castle
Arnold, MatthewEnglish18221888The Scholar Gipsy
Bagehot, WalterEnglish18261877The Economist
Ballantyne, Robert MichaelScottish18251894The Coral Island
Barlas, JohnScottish18601914Bloody Heart – Phantasmagoria
Barr, AmeliaEnglish18311919Remember the Alamo
Barrie, J.M.Scottish18601937Peter Pan
Beerbohm, MaxEnglish18721956Zuleika Dobson
Benson, A.C.English18621925Basil Netherby
Besant, WalterEnglish18361901All in a Garden Fair
Blackmore, R.D.English18251900Lorna Doone
Blunt, Wilfred ScawenEnglish18401922The Dream King: Ludwig II of Bavaria
Boucicault, DionIrish18201890The Bastile
Braddon, Mary ElizabethEnglish18351915Lady Audley’s Secret
Bradley, EdwardEnglish18271889The Adventures of Mr. Verdant Green
Bray, Anna ElizaEnglish17901883Trelawneys of Trelawne
Brontë, AnneEnglish18201849Agnes Grey
Bronte, CharlotteEnglish18161855Jane Eyre
Bronte, EmilyEnglish18181848Wuthering Heights
Browning, Elizabeth BarrettEnglish18061861A Drama of Exile
Browning, RobertEnglish18121889The Ring and the Book
Buchanan, RobertScottish18411901The Shadow of the Sword
Bulwer-Lytton, Sir EdwardEnglish18031873England and the English
Burney, FrancesEnglish17521840Evelina
Butler, SamuelEnglish18351902Erewhon – The Way of All Flesh
Caine, HallEnglish18531931The Blind Mother – The Last Confession
Caird, MonaEnglish18541932The Wing of Azrael
Carlyle, ThomasScottish17951881Sartor Resartus
Carroll, LewisEnglish18321898Alice’s Adventures in Wonderland
Chesterton, G.K.English18741936Father Brown – The Man Who was Thrusday
Clare, JohnEnglish17931864The Shepherds Calendar
Clough, Arthur HughEnglish18191861The Bothie of Tober-na-Vuolich
Coleridge, MaryEnglish18611907The Lady on the Drawingroom Floor
Collins, WilkieEnglish18241889The Woman in White – The Moonstone
Conrad, JosephPolish18571924Heart of Darkness – Lord Jim
Corelli, MarieEnglish18551924The Romance of Two Worlds
Corvo, BaronEnglish18601913Hadrian the Seventh
Craik, Dinah MulockEnglish18261887John Halifax, Gentleman
Darwin, CharlesEnglish18091882On the Orgin of Species
Davies, W.H.English18711940The Autobiography of a Super-tramp
Dickens, CharlesEnglish18121870A Christmas Carol – Great Expectations
Disraeli, BenjaminEnglish18041881Sybil; or, the Two Nations
Dobell, BertramEnglish18421914The Poetical Works of Thomas Traherne
Dowson, ErnestEnglish18671900Vitae Summa Brevis (Days of Wine and Roses)
Doyle, Sir Arthur ConanEnglish18591930Sherlock Holmes
Dunsany, LordIrish18781957A Dreamers Tale
Eliot, GeorgeEnglish18191880Middlemarch
Ewing, Juliana HoratiaEnglish18411885Christmas Crakers and other Christmas Stories
Farningham, MarianneEnglish18341909Girlhood – Brothers and Sisters
Farrar, Frederic WilliamEnglish18311903Life of Christ
Gaskell, ElizabethEnglish18101865North and South – Ghost Stories
Gilbert, William SchwenckEnglish18361911H.M.S. Pinafore – The Pirates of Penzance
Gilchrist, Robert MurrayEnglish18671917The Stone Dragon and Other Tragic Romances
Gissing, GeorgeEnglish18571903The Nether World
Gore, CatherineEnglish17981861Manners of the Day
Gosse, EdmundEnglish18491928Father and Son
Gosse, PhilipEnglish18101888A Naturalist’s Rambles on Devonshire Coast
Grossmith, GeorgeEnglish18471912The Diary of a Nobody
Haggard, H. RiderEnglish18561925King Solomon’s Mines
Hallam, Arthur HenryEnglish18111833The Poems of Arthur Henry Hallam
Hardy, ThomasEnglish18401928The Mayor of Casterbridge
Harkness, MargaretEnglish18541923Assyrian Life and History
Helps, Sir ArthurEnglish18131875Leaves from the Journal of Our Life
Hemans, FeliciaEnglish17931835Casabianca – Coeur De Lion at the Bier
Henley, William ErnestEnglish18491903Invictus
Hood, ThomasEnglish17991845The Bridge of Sighs – The Song of the Shirt
Hopkins, Gerard ManleyEnglish18441889Binsey Poplars
Hornung, E.W.English18661921Raffles Stories
Housman, A.E.English18591936The Collected Poems of A.E. Housman
Housman, LaurenceEnglish18651959The Field of Clover
Howitt, MaryEnglish17991888The Spider and the Fly
Howitt, WilliamEnglish17921879The History of the Supernatural
Hubback, CatherineEnglish18181877The Younger Sister
Hughes, ThomasEnglish18221896Tom Brown School Days
Huxley, Thomas HenryEnglish18251895Man’s Place in Nature
James, M.R.English18621936Ghost Stories
Jefferies, RichardEnglish18481887The Story of My Heart
Jennings, LouisEnglish18361893Mr. Gladstone
Jerome, JeromeEnglish18591927Three Men in a Boat
Jerrold, Douglas WilliamEnglish18031857Black-Eyed Susan
Jewsbury, GeraldineEnglish18121880The Half-Sisters
Kingsley, CharlesEnglish18191875Westward Ho!
Kingston, William Henry GilesEnglish18141880In the Rocky Mountains
Kipling, RudyardEnglish18651936The Jungle Book – Kim
Landon, Letitia ElizabethEnglish18021838The Poetical Works of Miss Landon
Landor, Walter SavageEnglish17751864Imaginary Conversations – Rose Aylmer
Le Fanu, Joseph SheridanIrish18141873Ghost Stories
Lear, EdwardEnglish18121888The Complete Nonsense of Edward Lear
Lever, CharlesIrish18061872The Martins of Cro’Martin
Levy, AmyEnglish18611889The Romance of a Shop
Lewes, George HenryEnglish18171878The Spanish Drama
Linton, Eliza LynnEnglish18221898The True History of Joshua Davidson
Macaulay, Thomas BabingtonEnglish18001859Lays of Ancient Rome
MacDonald, GeorgeScottish18241905The Princess and the Goblin
Marryat, Captain FredrickEnglish17921848The Privateersman
Marshall, EmmaEnglish18301899Under Salisbury Spire
Massey, GeraldEnglish18281907Ancient Egypt Light of the World
Maurier, George duFrench18341896Trilby
Mayhew, HenryEnglish18121887London Labour and the London Poor
Melville, George JohnScottish18211878The Queen’s Maries: A Romance of Holyrood
Meredith, GeorgeEnglish18281909The Egoist – Diana of the Crossways
Mill, John StuartEnglish18061873On Liberty
Molesworth, Mary LouisaEnglish18391921The Cuckoo Clock
Moore, GeorgeIrish18521933Esther Waters
Moore, ThomasIrish17791852Minstrel Boy – The Last Rose of Summer
More, HannahEnglish17451833Sorrows of Yamba
Morley, HenryEnglish18221894English Writers
Morris, Francis OrpenEnglish18101893A History of British Butterflies
Morris, WilliamEnglish18341896The Wood Beyond the World
Morrison, ArthurEnglish18631945The Adventures of Martin Hewitt
Newman, John HenryEnglish18011890Apologia Pro Vita Sua
Norton, CarolineEnglish18081877The Sorrows of Rosalie:  A Tale with Other Poems
Oliphant, MargaretScottish18281897Supernatural Collection
Ouida (Maria Louise Ramé)English18391908Under Two Flags – A Dog of Flanders
Pater, WalterEnglish18391894Studies in the History of the Renaissance
Patmore, CoventryEnglish18231896The Angle in the House
Potter, BeatrixEnglish18661943The Tale of Peter Rabbit
Rands, William BrightyEnglish18231882Lilliput Levee
Reade, CharlesEnglish18141884Peg Woffington – Masks and Faces
Reynolds, GeorgeEnglish18141879Wagner the Werewolf – The Necromancer
Rogers, SamuelEnglish17631855Table-Talk and Recollections – Toils and Struggles
Rossetti, ChristinaEnglish18301894Goblin Market
Rossetti, Dante GabrielEnglish18281882The House of Life
Ruskin, JohnEnglish18191900Unto the Last
Scott, Sir WalterScottish17711832Ivanhoe – Waverley
Sewell, AnnaEnglish18201878Black Beauty
Sewell, Elizabeth MissingEnglish18151906The Autobiography of Elizabeth M. Sewell
Sharp, William (Fiona MacLeod)English18551905Poems by William Sharp
Shelley, MaryEnglish17971851Frankenstein; or, the Modern Prometheus
Smiles, SamuelEnglish18121904Self Help
Stephen, LeslieEnglish18321904The Godless Victorian
Stevenson, Robert LouisScottish18501894Treasure Island – …Dr Jekyll and Mr. Hyde
Stoker, BramIrish18471912Dracula
Surtees, R.S.English18051864Jorrockss Jaunts and Jollities
Swinburne, Algernon CharlesEnglish18371909Poems and Ballads
Symonds, J.A.English18401893Walt Whitman. A Study
Symons, ArthurEnglish18651945Charles Baudelaire: A Study
Synge, John MillingtonIrish18711909The Playboy of the Western World
Taylor, Philip MeadowsEnglish18081876Confessions of a Thug
Taylor, Sir HenryEnglish18001886The Statesman
Tennyson, Alfred LordEnglish18091892Idylls of the King – Lady of Shalott
Thackeray, WilliamEnglish18111863Vanity Fair
Thomson, JamesScottish18341882The City of Dreadful Night and Other Poems
Tonna, Charlotte ElizabethEnglish17901846The Rockite
Trollope, AnthonyEnglish18151882Doctor Thorne – Barsetshire Novels
Trollope, FrancesEnglish17791863The Widow Barnaby
Ward, Mary AugustaEnglish18511920Robert Elsmere
Wells, H.G.English18661946The Invisible Man – The Time Machine
Wilde, OscarIrish18541900The Picture of Dorian Gray
Williams, IsaacEnglish18021865On Reserve in Communicating Religious
Wood, EllenEnglish18141887East Lynne
Wratislaw, TheodoreEnglish18711933The Pity of Love
Yeats, W.B.Irish18651939The Tower
Yonge, CharlotteEnglish18231901The Heir to Redclyffe
Zangwill, IsraelEnglish18641926The Big Bow Mystery

Noir Righteousness

The Big Nowhere B Big Nowhere.jpg

Written by:  James Ellroy

Published by: Mysterious Press

Copyright:  © 1988

Life it seems, will fade away
Drifting further every day

Deathly lost, this can’t be real
Cannot stand this hell I feel

(Partial lyrics to Metallica’s Fade to Black, ©1984. Songwriters: James Hetfield, Lars Ulrich, Cliff Burton, Kirk Hammett).

When there are no heroes, no good guys, no morals worth fighting for, then you’ve walked into The Big Nowhere.  There are no prizes here so Sam Spade took the night train out of L.A., and Mike Hammer’s 45 would have melted by the 9th chapter, leaving a rather skinny book with a sloppy ending. No one, no thing is redeemable in this novel, possibly not even the reader, who is captivated, disheartened, engrossed, disgusted on the raw truth presented as living without a soul, trying to make sense of this hell on earth, wishing never to come anywhere near The Big Nowhere.

…thinking Coleman’s Upshaw fixation would break him down on his homosexuality, stymie and stalemate him.  He was wrong. Coleman picked up Augie Duarte at a downtown bar, sedated him and took him to an abandoned garage in Lincoln Heights.  He strangled him and hacked him and ate him and emasculated him like Daddy and the others had tried to do to him…

Everyone deserves to die, sooner rather than later, in this l.a. l.a. land; the protagonists, if there are any, the antagonists, the groupies, the followers and the hanger-ons, everyone.

The Big Nowhere is the second, and likely the best, of Ellroy’s L.A. Quartet which includes:

  1. Black Dahlia © 1987
  2. The Big Nowhere © 1988
  3. L.A. Confidential © 1990
  4. White Jazz © 1992

Don’t miss this one.

War in Paradise

Tales of the South Pacific B South Pacific

Written by:  James A. Michener

Published by:  Curtis Publishing Company

Copyright:  © 1947

James Michener, an adopted child of a Pennsylvania Quaker, instilled his fictional Tales of the South Pacific from his garrisoned experiences as a Lieutenant Commander in the US Navy during the latter half of his WWII tour of duty. From 1944-1946, he was stationed mainly on Espiritu Santo, a small island on the eastern edge of the Coral Sea, as a naval historian, but he frequently visited other tropical islands in the area.

The short stories collected in this book, which Michener won the 1948 Pulitzer Prize in Fiction, probe the symbiosis and bonds between the American G.I. and frequently, female Pacific Islanders. The tales revolve around mostly the same characters, with a commander generally filling in as the first person narrator, and a few common plot lines such as a forthcoming, but fictitious island invasion.

Michener’s descriptive prose can be captivating and luxurious, sometimes almost hypnotic, such as the sketch of the local song birds on the protagonist’s lover’s plantation in the poignant love story, Our Heroine:

…Their harsh cries were modified by the delicate chirping of a graceful swallowlike bird that flew in great profusion among the cacao trees. This gracious bird was sooty black except for a white breast and belly.  Gliding and twisting through the shadows it looked like a shadow itself. Then bursting into the sunlight, its white body shone brilliantly…

The composition is good, probably better than anything else he wrote later in life but it does not reach the level of a master story-teller such as what Joseph Conrad attained in his Heart of Darkness or a Jack London story, for instance: All Gold Canyon:

…The red-coated many-antlered buck acknowledged the lordship of the spirit of the place and dozed knee-deep in the cool, shaded pool.  There seemed no flies to vex him and he was languid with rest.  Sometimes his ears moved when the stream awoke and whispered; but they moved lazily, with foreknowledge that it was merely the stream grown garrulous at discovery that it had slept…

Tales of the South Pacific is the antithesis of Michener’s future product; short stories versus monstrously thick and wordy novels, crisp and straightforward plot lines versus cloudy and cumbersome themes, and finally a compassionate acknowledgement for his reader’s attention rather than a dismissive condescension for those not willing to commit to consuming his turgid volumes of fictional excess.

Michener wrote one good book: Tales of the South Pacific.