Love, Class, and Money

Framley Parsonage, by the Victorian author Anthony Trollope, is the fourth novel in the six-part Chronicles of Barsetshire series. This series is set in the fictional county of Barsetshire in the English countryside and details the social entwinings of the gentry, rich mercantile classes, clergy, and occasionally what we would today refer to as the comfortable middle class. The novels, which can be read in any order, revolve around themes of maintaining social status, finding love, marrying well, and money. Hypocrisy, chicanery, and snobbish attitudes often create dilemmas that Trollope, in a winding but satisfying narrative fashion, concludes as the reader wishes.

Framley Parsonage specifically details the misadventures of the amiable but horribly naive vicar, Mark Robarts, who is a boyhood friend of Lord Ludovic Lufton. Through this friendship, Ludovic’s mother, Lady Lufton, installs Robarts in the Framley Parsonage with a sufficient salary to support his young family’s basic needs. Through a misplaced sense of ambition, Robarts attempts to further his standing in life by associating with a parliament member, charlatan, and aptly named Mr. Sowerby, bringing humiliation and disgrace upon himself.

Trollope displays an absolute sense of enjoyment in writing this novel, skewering the political class with an abundance of wit and satire, along with exploring four marriage sub-plots that he resolves with appropriately deserved denouements of happiness or the lack thereof.

Source and Graphic: Framley Parsonage by Anthony Trollope, Publisher Everyman’s Library, 1994.

Sticks His Nose In

Lucius, the protagonist of the 2nd century AD Latin novel The Golden Ass, cannot suppress his curiosity nor stop meddling in the dark arts of spells and magic. Attempting to flee from the troubles resulting from his inquisitiveness, he accidentally uses the wrong ointment and turns himself into a donkey rather than a bird. This error leads to a series of comical and mostly bawdy misadventures as a beast of burden, who is thoroughly abused and misused due to his intemperate habit of sticking his nose in.

The story, written by the Roman author and philosopher Lucius Apuleius, who hailed from a Roman province in what is now modern-day Algeria, is characterized as a romance—not in the modern Harlequin sense, but in the Greek meaning of a Milesian tale. A Milesian tale consists of a series of adventurous stories, usually short, humorous, and erotic—a romantic narrative for the ancients.

The translator of The Golden Ass, Joel C. Relihan, takes the meaning of a Milesian romance a step further into what Northrop Frye described as secular scripture. Relihan states that the romance in The Golden Ass is: “A survivor’s tale of descent into a nightmare world of loss and eventual recovery of identity.”

Lucius loses his identity, becoming ludicrous and expendable. But in the end, he prays for salvation, which he receives from the goddess Isis. Ultimately, he is initiated into the secrets of the gods. His transformation from misfortune to enlightenment and spiritual fulfillment is, in the end, the ultimate story of a lived life—a maturing into old age with illuminated and learned experience leading to peace and grace.

Trivia: The Golden Ass has been known by various names, including the author’s title, Metamorphoses, Asinus Aureus (a Latin name which translates to “Golden Ass”), The Metamorphosis of Lucius, and the modern title: The Golden Ass or A Book of Changes.

Source: The Golden Ass by Apuleius. Oxford Bibliographies. Graphic: The Golden Ass Book Cover, Hackett Publishing, 2007.