My Friend Can Stick Around

The Weight” by Robbie Robertson is one of The Band’s best-known songs. It was released on their 1968 breakout album, Music from the Big Pink. It is ranked among the greatest rock songs of all time by Rolling Stone and the Rock and Roll Hall of Fame.

The song’s narrative is a commentary on the impossibility of doing good, emphasizing that morality and virtue require effort. Jake Grogan quotes Robertson philosophically explaining his song as the weight placed on one’s shoulders when fulfilling a favor: “The Weight was this very simple thing. Someone says, ‘Listen, would you do me this favor? When you get there, will you say hello to somebody, or will you give somebody this, or will you pick up one of these for me? … I’ve only come here to say ‘hello’ for somebody, and I’ve got myself in this incredible predicament.

Trivia: The opening line of the song, “I pulled into Nazareth, was feelin’ about half past dead,” refers to Nazareth, Pennsylvania, where Martin Guitars manufactures their instruments.

Source: Origins of a Song by Jake Grogan, 2018. Graphic: The Weight video by Robbie Robertson and Ringo Star, 2018 Universal Music Publishing.

The Last Waltz: A Timeless Rock Odyssey

On Thanksgiving Day in 1976, Bill Graham’s legendary Winterland Ballroom in San Francisco played host to an unparalleled musical spectacular: The Last Waltz. Orchestrated by the visionary filmmaker Martin Scorsese and the iconic concert promoter Bill Graham, this five-hour marathon has earned its place in history as the greatest rock documentary ever made.

A star-studded fantasy night where rock, roots rock, blues, and folk giants converged. The Band taking center stage, were joined by a stellar lineup including Bob Dylan, Dr. John, Van Morrison, Joni Mitchell, Ringo Starr, Eric Clapton, and many more. Each performance was a masterpiece, weaving together years of musical brilliance into a single, unforgettable tapestry.

Michael Wilmington of the Chicago Tribune and Rolling Stone have rightfully hailed this epic concert as a monumental achievement, a time capsule of musical greatness that continues to inspire and captivate audiences nearly 50 years later.

The Last Waltz wasn’t just a concert; it was a celebration of artistic vision, camaraderie, and the timeless power of music.

Graphic: The Last Waltz Official Trailer #2, 1978, Copyright Last Waltz Productions.

Before the Flood

50 years ago, 20 June 1974, Bob Dylan and The Band released their double live album Before the Flood, peaking at number 3 on the U.S. Billboard 200 and going Platinum in the U.S. In addition to being Dylan’s first live album, the music was a compilation of Dylan’s greatest hits.

Stephen Thomas Erlewine of All Music comments “Dylan reworks, rearranges, reinterprets these songs in ways that are still disarming, years after its initial release. He could only have performed interpretations this radical with a group as sympathetic, knowing of his traits as the band, whose own recordings here are respites from the storm. And this is a storm — the sound of a great rocker, surprising his band and audience by tearing through his greatest songs in a manner that might not be comforting, but it guarantees it to be one of the best live albums of its time. Ever, maybe.”

Tom Nolan with Rolling Stone notes that “Throughout Bob Dylan‘s performances on this in-concert album there is evident an effort to match the material — nearly all from much earlier in his career — with a suitable style of delivery, a vocal stance which can express in a later year the brilliant and sometimes malevolent energy contained by these pieces when they were first created.”

The album was high energy, something that Dylan and the Band were not known for, but it brought a side to their music that, up till then, no one had experienced.

Source:  All Music. The Rolling Stone Album Guide. Graphic: Album Cover Before the Flood, copyright Columbia Records.