Michelangelo, Medici, and Florence

Tomb of Lorenzo II de Medici and below lying on the sarcophagus two sculptures ‘Dawn and Dusk’ in Medici Chapel, Florence, Italy

Florence, the Medici family, and the Renaissance are inextricably linked, forming a vibrant nexus of world-shaping brilliance and energy. After Lorenzo the Magnificent’s death in 1492, Michelangelo emerged as the towering figure of art and beauty during the High Renaissance, spanning the late 15th and early 16th centuries.

Michelangelo’s unparalleled artistic mastery endured for nearly fifty years beyond his death in 1564, yet with the passing of Ferdinando I de’ Medici in 1609, Baroque masters like Caravaggio and Bernini ascended as Europe’s preeminent talents.

Michelangelo navigated a delicate balance with the shifting demands of his Medici patrons, fiercely defending his artistic vision while securing payment, often with friction. The expectations of the Medici popes, Leo X (1513–1521) and Clement VII (1523–1534), frequently clashed—both in timing and creative intent—with his ambitions. This tension, happily, fueled his masterpieces, including the Sistine Chapel ceiling (1508–1512) and the Last Judgment (1536–1541).

The image depicts the Tomb of Lorenzo II de’ Medici, a work Michelangelo sculpted between 1524 and 1531.

Source: The Medici, Michaelangelo…Florence, Essays by Acidini…2002. Graphic: Tomb of Lorenzo II de Medici, Michelangelo, 1524-1531. CAHJKT iStock Photo Licensed.

Salvator Mundi

Salvator Mundi, Savior of the World, is believed to have been painted by Leonardo da Vinci sometime between 1499 and 1510 which is considered by historians to be the beginning of the High Renaissance period. The painting was supposedly commissioned by King Louis XII of France and was later recorded in the possession of the English Kings Charles I and II. How the English acquired the painting is unknown. It was then passed onto the Duke of Buckingham in the 1600s after which his son sold it in 1763. The painting then disappeared for 137 years.

It reappeared in 1900, changing hands a few times without anyone realizing it may be an authentic Leonardo. In 2005 a consortium of art dealers and collectors purchased it with the intent to have it cleaned and restored all the while attempting to prove that it was indeed a Leonardo painting. In 2013 most experts agreed that it was an authentic Leonardo allowing it to be sold for $80 million to Swiss art dealer Yves Bouvier which he quickly resold to the Russian Rybolovlev for $127.5 million. This sale quickly became a legal mess with the resolution not entirely clear.

Somehow the legal issues resolved themselves and the painting came to market again in 2017 selling for $450.3 million, making it the most expensive painting ever sold. After much wild and erroneous speculation, it was revealed that Abu Dhabi’s Department of Culture and Tourism bought the painting.  It is currently in storage awaiting the completion of the Louvre Abu Dhabi in the United Arab Emirates.

In 2020 the experts have struck again and attribution of the painting to Leonardo is in doubt. Experience says this debate will continue ad infinitum. Meanwhile an extremely expensive art piece supposedly by a gay painter of Jesus Christ resides in the Arab Middle East.

Sources: Leonardo da Vinci by Walter Isaacson published in 2017. Salvator Mundi by Christies published in 2017. Salvator Mundi by ArtNet published in 2020.