Michelangelo, Medici, and Florence

Tomb of Lorenzo II de Medici and below lying on the sarcophagus two sculptures ‘Dawn and Dusk’ in Medici Chapel, Florence, Italy

Florence, the Medici family, and the Renaissance are inextricably linked, forming a vibrant nexus of world-shaping brilliance and energy. After Lorenzo the Magnificent’s death in 1492, Michelangelo emerged as the towering figure of art and beauty during the High Renaissance, spanning the late 15th and early 16th centuries.

Michelangelo’s unparalleled artistic mastery endured for nearly fifty years beyond his death in 1564, yet with the passing of Ferdinando I de’ Medici in 1609, Baroque masters like Caravaggio and Bernini ascended as Europe’s preeminent talents.

Michelangelo navigated a delicate balance with the shifting demands of his Medici patrons, fiercely defending his artistic vision while securing payment, often with friction. The expectations of the Medici popes, Leo X (1513–1521) and Clement VII (1523–1534), frequently clashed—both in timing and creative intent—with his ambitions. This tension, happily, fueled his masterpieces, including the Sistine Chapel ceiling (1508–1512) and the Last Judgment (1536–1541).

The image depicts the Tomb of Lorenzo II de’ Medici, a work Michelangelo sculpted between 1524 and 1531.

Source: The Medici, Michaelangelo…Florence, Essays by Acidini…2002. Graphic: Tomb of Lorenzo II de Medici, Michelangelo, 1524-1531. CAHJKT iStock Photo Licensed.

Brunelleschi’s Dome

Filippo Brunelleschi, a goldsmith, engineer, and relatively inexperienced architect, completed the largest masonry dome in the world in 1436—a record that has never been broken. The world now knows it as Brunelleschi’s Dome, which sits atop the Cathedral of Saint Mary of the Flower in Florence, Italy.

When completed, the dome was 52 meters (171 feet) high, with an exterior diameter of 45.5 meters (149 feet) and an interior diameter at its base of 41 meters (135 feet). The base of the dome sat above the crossing of the Cathedral, which was 55 meters (180 feet) above the ground. Atop the dome was a lantern measuring 21 meters (69 feet) in height, bringing the entire Cathedral structure to a remarkable 128 meters (420 feet). While it was not the tallest structure in the world at the time—Lincoln Cathedral in England, at 160 meters (525 feet), held that distinction—it was certainly an impressive architectural feat.

Trivia: Brunelleschi developed an ingenious mechanical lift to raise materials up to the dome. The modern world knows what that device looked like and how it worked because a young Leonardo da Vinci sketched the hoist when he was apprenticed to the Florentine painter Verrocchio beginning in 1466. Due to that sketch, Leonardo was sometimes mistakenly given credit for inventing the hoist.

Source: Brunelleschi’s Dome by Ross King, 2000. Graphic: Brunelleschi’s Dome by National Geographic, 2013-2019.