My Friend Can Stick Around

The Weight” by Robbie Robertson is one of The Band’s best-known songs. It was released on their 1968 breakout album, Music from the Big Pink. It is ranked among the greatest rock songs of all time by Rolling Stone and the Rock and Roll Hall of Fame.

The song’s narrative is a commentary on the impossibility of doing good, emphasizing that morality and virtue require effort. Jake Grogan quotes Robertson philosophically explaining his song as the weight placed on one’s shoulders when fulfilling a favor: “The Weight was this very simple thing. Someone says, ‘Listen, would you do me this favor? When you get there, will you say hello to somebody, or will you give somebody this, or will you pick up one of these for me? … I’ve only come here to say ‘hello’ for somebody, and I’ve got myself in this incredible predicament.

Trivia: The opening line of the song, “I pulled into Nazareth, was feelin’ about half past dead,” refers to Nazareth, Pennsylvania, where Martin Guitars manufactures their instruments.

Source: Origins of a Song by Jake Grogan, 2018. Graphic: The Weight video by Robbie Robertson and Ringo Star, 2018 Universal Music Publishing.

No One Shall Sleep

Nessun Dorma,” (No One Shall Sleep) an aria by Giacomo Puccini from the final act of his opera Turandot, is performed by an enigmatic tenor prince who seeks the hand of Princess Turandot. The Princess decrees that any suitor must solve three riddles to win her consent for marriage. The unknown prince answers all the riddles correctly, but the Princess still defers. He then proposes a counteroffer: if she can guess his name, she can have him executed, but if she cannot, she must marry him. In response, the Princess commands that none of her subjects shall sleep until they uncover his name.

Puccini’s opera, left incomplete at his death in 1924, offers a unique interpretation of Carlo Gozzi’s 18th-century play of the same name, which, in turn, drew inspiration from a 12th-century Persian fairy tale by Nizami as part of his poem collection titled Haft Peykar. In the fairy tale, a princess sets impossible riddles for her suitors.

Puccini retains three riddles from Nizami’s tale but alters the third one:

  1. What is born each night and dies each dawn? (hope)
  2. What flickers red and warm like a flame, but is not a flame? (blood)
  3. What is like ice but burns? (Princess Turandot)

(Nizami’s original 3rd riddle: What echoes with countless voices, yet has no voice of its own? (a letter))

Source: Grove Book of Operas edited by Stanley Sadie, 2006. Wikipedia. Graphic: Nessun Dorma by Pavarotti, 2023 copyright Warner Classics.