Exploration 19: Ears Don’t Hear

Mondegreen Definition (mon-de-green):

  • a word or phrase that results from a mishearing especially of something recited or sung. (Merriam-Webster)
  • a word or phrase that is misinterpreted as another word or phrase, usually with an amusing result. (Collins)
  • also known as oronyms
  • the word originates with journalist Sylvia Wright, who wrote a column in the 1950s in which she recounted hearing the Scottish folksong The Bonny Earl of Morray. Wright misheard the lyric “Oh, they have slain the Earl o’ Morray and laid him on the green” and thought it was “Oh, they have slain the Earl o’ Morray and Lady Mondegreen.” (Merriam-Webster)

“In love, as in life, one misheard word can be tremendously important. If you tell someone you love them, for instance, you must be absolutely certain that they have replied ‘I love you back’ and not ‘I love your back’ before you continue the conversation.” (Lemony Snicket, Horseradish: Bitter Truths You Can’t Avoid. HarperCollins, 2007)

The interesting thing about mondegreens is that the mis-hearings are generally less plausible than the intended lyrics.” (Steven Pinker, The Language Instinct: How the Mind Creates Language. William Morrow, 1994), but they are usually more interesting and amusing.

I was out for a walk in the neighborhood the other day, early October snow crunching beneath my sneakers, iPods keyed into a blues mix, when Tony Joe White’s first and only hit ‘Folk Sally Annie‘ started playing; a song I’ve heard a hundred times before, except for the first time I listened to the intro. In the intro Tony Joe White explains who ‘Folk Sally’ is and I learned, as I said, for the first time, that ‘Folk Sally‘ is a plant similar to a turnip green, ‘except it ain’t‘ and the po’r folk of Louisiana picked it in the wild for their dinner. At this point I realized what I had been hearing for decades wasn’t ‘Folk Sally Annie‘ but ‘Polk Salad Annie‘. Chorus below:

Polk salad Annie, polk salad Annie
Everybody said it was a shame
‘Cause her momma was a-workin’ on the chain gang
(A mean, vicious woman) Uh!

It just goes to show ya that even with ears wide open you may not be hearing reality. I remember listening to an FM station many years ago that did a three- or four-hour show consisting of call-in requests by listeners who couldn’t remember the title of the song, just a snippet of the lyrics, which they amusingly mis-quoted. These misheard lyrics are what are commonly known as mondegreens or oronyms. Words one hears but interpretes wrongly. It was a great show of great music and amusing stories of the misinterpreted.

FootnoteA

A story I ran across a few years ago, I no longer remember the names of those involved, relates a father’s advice to his 10-year-old son when he was leaving for grade school one morning. His father holds him back for a few seconds and tells him, “Remember son. ‘Knowledge is power. France is bacon‘.” With this consul he sends his son off to class. His son pondered this remarkable piece of advice all the way to school and most of the rest of that day. ‘Knowledge is power. France is bacon.’ The ‘knowledge is power‘ part he understood but he was totally perplexed by the ‘France is bacon‘ bit. What could that mean? Years later he stumbled across a quote in one of his high school textbooks which said, ‘knowledge is power‘. It was attributed to forteenth and fifteenth century English philospher Francis Bacon.

The brain is a remarkable organ. If it recieves something blurred or indistinct it will fill in the blanks or gaps and we are never the wiser, for a while anyway. Hopefully.

Truly Great Lyrical Mondegreens:

  • “Every time you go away/you take a piece of meat with you” (for ” … take a piece of me with you,” by Paul Young)
  • There’s a bathroom on the right” (for “There’s a bad moon on the rise” by Creedence Clearwater Revival)
  • Excuse me while I kiss this guy” (for “Excuse me while I kiss the sky” by Jimi Hendrix)
  • The girl with colitis goes by” (for “the girl with kaleidoscope eyes” by the Beatles)
  • Dirty things done to sheep” (for “Dirty deeds done cheap” by AC/DC)
  • Bring me an iron lung” (for “Bring me a higher love” by Steve Winwood)
  • It doesn’t make a difference if we’re naked or not” (for “It doesn’t make a difference if we make it or not” by Bon Jovi)
  • She knows Ohio stinks” (for “She knows the highest stakes” by Dixie Chicks)
  • It’s too late, you’re gonna die” (for “It’s too late to apologize” by OneRepublic)
  • There’s no happy ending, no hand relief” (for “There’s no happy ending, no Henry Lee.” by Train)
  • I’m gonna take my horse to a hotel room” (for “I’m gonna take my horse to Old Town Road” by Lil Nas X)

Polk Salad Annie Original and Covers (Partial List):

FootnoteA: Painting of Francis Bacon by Paul van Somer, 1617. Wikimedia.

References and Readings:

Painter of Love

Botticelli

By Frank Zollner

Prestel

Copyright: © 2015

AmazonPicture

Zollner Biography:

FootnoteA

Frank Zollner, born 26 June 1956 in Bremen, Germany, is an art historian specializing in Renaissance painters, specifically Leonardo, but also Michelangelo, Rapheal, and Botticelli. He has been a professor of art history at Leipzig University since 1996.

As an expert in all matters Leonardo, he has been wrapped up in the authenticity of the multiple Mona Lisas that exist around world. The Mona Lisa actually painted by Leonardo that everyone appears to agree on is in the Louvre. Experts also agree that parts of the Isleworth Mona Lisa may have also been painted by Leonardo. Then there is the two Mona Lisas that are most like each other, the Louvre Mona Lisa, and the Prado Mona Lisa in Madrid. The Prado Mona Lisa is acknowledged to have been painted in Leonardo’s workshop but not necessarily by Leonardo himself. The two most famous paintings are the Louvre Mona Lisa and the Washington National Gallery’s Mona Lisa. The National Gallery Mona Lisa is believed to have been painted by one of Leonardo’s followers, possibly Salaì or Francesco Melzi. So, it would appear that there are a lot of Mona Lisa’s floating around but only one fully authentic and completely Leonardo.

Zöllner re-introduced the art world to the ancient concept of aesthetic hedonism. Aesthetic hedonism states that for art to have value one must experience emotional pleasure when viewing or experiencing it. The value related to aesthetic hedonism is derived from empirical observations and experiences. Philosophers, such as Hume and Kant, have argued that aesthetic pleasure is universal, reflecting the intellectual harmony within one’s mind. Plato and others, on the other hand, suggest that empiricism alone is not enough to render value to an object of art. Other subjective factors also need to be considered such as moral, social, or religious values.

Which brings us to an impertinent detour but much needed critique of modern art. Where is the beauty, the pleasure, or at a more essential and primeval level, where is the talent for what passes today as modern art? A deplorable example of modern art totally lacking in artistic talent or merit, unable to provide any visual pleasure, is Vienna’s newest fountain: WirWasser. A cultural devolution that is utterly sad and heartbreaking. Look at the picture of the fountain with the people responsible for that monstrosity. They are smiling. What is wrong with those people?

Botticelli Biography:

By throwing a sponge soaked with deffernet colors at at a wall one can make a spot in which a beautiful landscape can be seen“…Botticelli.

Sandro Botticelli, born Alessandro di Mariano di Vanni Filipep circa 1445, later given the moniker Botticelli by an older brother meaning ‘little barrel’ in Italian, is considered the greatest humanist painter of the Early Renaissance Era.

Botticelli’s art was always about dignity, about maintaining the grace and soulfulness of his subjects. His genus lies in capturing the emotional persona of people populating his paintings along with the technical ability to skillfully show perspective, accurately express anatomy, and the mastery of color and light.

Botticelli died in Florence in 1510 at the age of 64 or 65. His complete oeuvre is unknown but at least 137 artworks have been attributed to him, including panel paintings, works on canvas, frescoes, and drawings for Dante’s Divine Comedy. Among his most famous and recognizable paintings are La Primavera (shown above) and the Birth of Venus (shown below), which today, are synonymous with perfection and Early Renaissance art.

The La Primavera, shown above, was originally in the possession of one of the younger Medicis and was given as a wedding present to Semiranmide Appiani who married Lorenzo di Pierfrancesco de’ Medici in 1482. The painting depicts, beginning on the far left continuing to far right, Mercury in winged shoes poking at the clouds with a wand, the Three Graces in the company of Mercury creating an atmosphere of beauty and what else, grace. The central figure is Venus. The floating cherub above Venus is Cupid, her son by Mars. To the right of Venus is Flora, goddess of flowers, springtime, and fertility. The woman to the right of Flora is Chloris, originally a virginal nymph who was transformed into Flora by the wind God Zephyr shown floating above ground on the far right. Zephyr raped Flora/Chloris but made amends by making her his wife.

Botticelli’s The Birth of Venus, referred to by some art critics, including Zollner, as the Arrival of Venus, shows the goddess of love on the shores of the island of Cythera. Botticelli based the painting on a poem by Greek poet Hesiod, describing Venus emerging from the sea, formed from the severed genitals of Uranus. Venus is standing on a giant scallop shell, blown by the wind god Zephyr and his companion Aura, a goddess of breeze, and welcomed by one of the Horae, likely a goddess of spring, who offers her a cloak.

Literary Criticism:

Zollner’s Botticelli is a masterpiece in scholarship and beauty. The reproductions of Botticelli’s art are crisp and clear, but the text brings it all together, biography, provenance, technique, and history. To follow a painting from brush to museum, as Zollner has, is itself a work of art and love.

FootnoteA: Frank Zollner. Welt newspaper 2021

Frank Zollner Art Book Bibliography (English):

References and Readings: