Photoshop Beginnings

I decided to add another hobby to my list of things to waste my time on and today I began my journey into learning Photoshop. I may regret starting this.

This short post falls under the heading of ‘You have to start somewhere’ and with software as non-intuitive as Photoshop that more or less means a few steps past launching the program. I began with something simple hoping that it would facilitate learning the interface–but it didn’t.

I started with a photo shown above left of a sphinx I took in the museum at Delphi, Greece ten or twelve years ago.

I wanted to replace the drab museum walls surrounding the sphinx with a more pleasing background. The lower waterfalls from Lombok Island, shown to the right, an island immediately east of Bali in the Indonesian Archipelago, fitted the need for a more interesting background.

Both pictures were imported into Photoshop as layers. I cropped the sphinx pic and removed its background and then I arranged the layers so the sphinx is on top the waterfall pic. The result is shown to the left.

The composite pic only took a few minutes once I understood the Photoshop jargon and found the right buttons, but that took about 45 painful minutes. The software is not for the casual user, and it will take some time reach a proficiency that doesn’t raise my blood pressure every time I use it. I’ll post something a little more involved later on.

Early Italian Renaissance Painting

Piero Della Francesca

By Anna Maria Maetzke

Photographs by Alessandro Benci

Published by Silvana Editoriale

Copyright: © 2013

An art book short on art and long on art history and art criticism.

Piero della Francesca, born in Tuscany in the early 15th century, is regarded as a true master before his time, eerily anticipating post impression by 500 years. Francesca was a major force in inputting perspective into paintings, greatly influenced by an Italian contemporary polymath, Leon Battista Alberti.

Francesca’s greatest works include the painting to the right, Federico da Montefeltro, Duke of Urbino, and the fresco, The Legend of the True Cross, located within the basilica of San Francesco in Arezzo, Italy.

The book contains all surviving paintings by the artist, about 150, which showcase his genius when compared with fellow artists such as Donatello and Brunelleschi, along with extensive research and commentary on Francesca’s life and art.

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